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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

You’ll often find me hanging out on Twitter and Instagram if you want to talk books – any books, not just mine! And please tag me in your reviews and chats – I’d love to hear what you think about The Woman in the Photograph, and for us to join in the wider conversation about women in the world.

Thank you again for reading The Woman in the Photograph.

Be well,

Stephanie xx

P. S. If you would like to keep in touch with my writing life, you can visit http://www.bit.ly/StephanieButlandClub and join my Readers’ Club. It’s free to join, and we won’t spam you – we’ll get in touch now and again with bookish news and exclusive content. (Small print: Zaffre will keep your data private and confidential, and it will never be passed on to a third party. You can unsubscribe at any time.)

Stephanie Butland’s Readers’ Club

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For your Reading Group

For your Reading Group

For discussion

For discussion

1. From Women’s Lib to #MeToo – in the novel, the fight for women’s rights seems as needed in 2019 as it was in the 1960s. Vee appears surprised when she looks at Erica’s life to find that despite the victories they won in the last century, today’s women still have a lot to protest, a lot to fight for. Do you agree with Vee that equality is still a cause that needs battling for?

2. Has the novel made you more or less likely to think of yourself as a feminist? And why do you think people still find it a controversial term?

3. Has the novel made you think differently about photography?

4. Writing about a different medium always requires skill and invention. How well do you think the author managed to bring the photographs to life with her words? How clearly could you see the key pictures in your mind?

5. If you had to sum up your life in a handful of photographs, which ones would you choose? Is there a moment in your life that you wish had been caught on camera?

6. Vee’s views and ideals undergo a dramatic shift in her late teenage years. Can you think of a pinnacle moment in your life which changed your views or beliefs?

7. To what extent does Vee choose her isolation? Which comes first – a solitary nature, or the desire to be a photographer?

8. Could you sympathise with Vee’s final photos of Leonie? Were those photos brave, intrusive, accidental or a coping device?

9. Do you think you’d have been friends with Vee or Leonie if you met them in your teens or twenties?

10. Who was your favourite male character in the book and why?

11. Do you think it matters who Erica’s mother is?