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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

It takes a second for Erica to see what Vee is pointing at, but then she spots them; stacks of smaller stones, carefully balanced on top of another. She imagines the women who come here – perhaps the daughters of the ones who formed part of the human chain around the fence – selecting a pebble. They must choose it with care from the land around the garden, then place it on top of one of the piles that are already here, hand pausing in the air, a millimetre away, to see that the balance is kept. Erica feels her own emotional equilibrium teeter at the thought of it. ‘Cairns,’ she says.

‘Of course.’ Vee is bending, searching for a stone. ‘I couldn’t remember the word.’ She takes off a glove in order to pick up a small, sharp flat piece of flint, or maybe slate, and she looks at it for a moment, turns it over, before squatting to put it in place, on top of one of the smallest cairns there. Her hand is shaking. When she stands again, she says, ‘I was here.’ This time, though, it’s something more like a prayer than a statement of fact. There is power in this place.

Vee steps back, and then holds out her arms. It takes Erica a moment to understand: why would Vee take Tom from her? But then she sees the space that Vee is offering her, and why she’s done so. She hands the now sleeping child over, feeling how Vee is braced for his weight, then relaxes when she has sensed the perimeters of his body, its density. Half-woken by the movement, Tom looks between the two of them – both women hold their breath – and then he smiles and finds the space at Vee’s shoulder that will best cradle him, settling his head there. He reaches for Vee’s earlobe.

Erica squats and looks for a stone of her own. After a moment of searching she finds a smooth, tiny oblong, slightly tapering at one end. She places it, gently, on Vee’s flint.

And now she wants to cry again, which is not like her at all. Marcus laughed at her when they got married, because he cried and she didn’t. The only time she’s ever been this emotional was when she was first expecting Tom.

Oh, shit.

October 1981

October 1981

This Month magazine

Leonie Barratt: Letters from a Feminist

Our monthly column from the front line of the Battle of the Sexes

Dear John,