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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Erica glances towards the silent pushchair. It seems as though she’s going to say something, challenge what Vee has said, but she doesn’t. Of course she doesn’t. To her, Vee is a dying woman, to be coddled and humoured. Probably slightly more trouble than a child.

18 October 1981

18 October 1981

Leonie

It was good to get it all said. And the pain of that night had long since washed away, anyway, in the river of blood and time that being a woman entails. Leonie takes out her notebook and the pen she bummed from Vee. Even Vee’s pens are expensive these days. ‘River of blood and time: how motherhood washes women’s lives away.’ It won’t help this article but it could work in the book. That would put the cat among the sisters.

Vee has got leaner since they last saw each other, more muscular, and the cropped hair suits her. A few times during the drive Leonie had wanted to put her hand on Vee’s head, rub her palm along the grain of the stubble then against it. Her friend has always had the body of a skinny pre-pubescent boy, and the non-threatening presence to go with it. Maybe that’s why she’s gone so far, slipping through the gaps in the status quo with her flat chest and straight hips, hiding in plain sight, an acceptable woman-man for success within the patriarchy. She carries that camera bag as though it’s nothing, whereas Leonie knows it isn’t – she moved it off the front seat of the car this morning, and it weighed a ton. (Vee had said she thought Leonie would be ‘more comfortable in the back’. A euphemism for ‘too fat for the front’, so Leonie sat in the front just to show her. The car is ridiculously small, though, her thighs shoved by the door on one side and the gear stick on the other.)

Vee has seen that Leonie is watching her, and she grins, the way she used to when they were first friends, and Vee had saved up all her stories of the male chauvinist pigs she’d met and couldn’t wait to talk to Leonie about. Leonie smiles back – it’s good that Vee is here, that she wanted to come, that she invited her. It’s good to be in the thick of it, to be reporting from the front line for a change. Leonie knows the movement needs her; it needs people who strategise, and look at the big picture rather than reacting. But living in her head can be lonely, especially when the world won’t read her words.

The sunshine is feeble but it’s here, halfway to warm. She turns away from Vee and looks at the sprawl of tents, the banners flapping and snapping in the breeze, and the people everywhere, purposeful and vivid. Tanya, a friend from the old days, is coming towards her. ‘Leonie?’