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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

12. On page 359, the author includes an extensive bibliography covering lots of novels and landmark books on feminism and gender – has The Woman in the Photograph inspired you to try any of these? What other books would you recommend for readers who enjoyed this, whether stories of female friendship, novels about Britain in the ’60s, ’70s, and ’80s, or books that explore issues of feminism?

Select bibliography

Select bibliography

John Berger: Understanding a Photograph

John Berger: Ways of Seeing

Susan Sontag: On Photography

Chimamanda Ngozi Adichie: We Should All Be Feminists

Lisa Appignanesi, Rachel Holmes and Susie Orbach (eds): Fifty Shades of Feminism

Jessa Crispin: Why I Am Not A Feminist

Simone de Beauvoir: The Second Sex

Susan Faludi: Backlash

Betty Friedan: The Feminine Mystique

Roxane Gay: Bad Feminist

Germaine Greer: The Female Eunuch

bell hooks: feminism is for everybody

Audre Lord: Sister Outsider

Kate Millett: Sexual Politics

Susan Mitchell: Icons, Saints and Divas

Robin Morgan (ed): Sisterhood is Powerful

Susie Orbach: Fat is a Feminist Issue

Laurie Penny: Bitch Doctrine

Camille Paglia: Free Women, Free Men

Ann Pettitt: Walking to Greenham

Marsha Rowe (ed): Spare Rib Reader

Rebecca Solnit: Men Explain Things to Me

Victoria Pepe, Rachel Holmes, Amy Annette, Martha Mosse and Alice Stride (eds): I Call Myself A Feminist

Jessica Valenti: Sex Object

Naomi Wolf: The Beauty Myth

Virginia Woolf: A Room of One’s Own

Angela Carter: The Bloody Chamber

Marilyn French: The Women’s Room

Erica Jong: Fear of Flying

Sylvia Plath: The Bell Jar

Alice Walker: The Color Purple

Fay Weldon: Praxis

About the author

About the author

Stephanie Butland lives near the sea in the north-east of England. She writes in a studio at the bottom of her garden. Researching her novels has turned her into an occasional performance poet and tango dancer.

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Also by Stephanie Butland

Also by Stephanie Butland

Novels

Letters to My Husband

The Other Half of My Heart

Lost for Words

The Curious Heart of Ailsa Rae

Non-fiction

How I Said Bah! to cancer

Thrive: The Bah! Guide to Wellness After cancer

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