Chapters (102)
- Cover
- PRAISE FOR
- Dedication
- ONE
- TWO GROUPS
- FACTS
- WORK
- A SYLLABUS
- ANOTHER SYLLABUS
- SUBSTITUTIONS
- MORE SUBSTITUTIONS
- TRIANGULATION
- TAXONOMIES
- THE SEASONS CHANGE
- TWO
- THE NEWS REPORTS
- RESEARCH
- THE NEWS REPORTS
- TWO LETTERS
- A DIAGRAM
- A COPIED PARAGRAPH
- THE REARRANGING UNIVERSE
- WHO WE ARE
- THE UNNAMED ELEMENTS
- POSES
- THE NEWS REPORTS
- CASTING
- AN INSTABILITY
- A FANTASY
- PEAK / END
- WOUNDS
- THE NEWS REPORTS
- FLUCTUATIONS
- HEAT
- QUESTIONS FOR A CLERK
- THE NEWS REPORTS
- THE ACTUAL NEWS
- GASLIGHTS
- THREE
- THE NEWS REPORTS (STRANDED PEOPLE SPREADSHEET)
- NAMES
- POSTCARD FROM S #1
- THE NEWS REPORTS (LIVEBLOG)
- POSTCARD FROM S #2
- THE NEWS REPORTS (FEED)
- POSTCARD FROM S #3
- RESPONSE
- WHAT WE WEREN’T DOING
- THE NEWS REPORTS
- THE MIDDLE PERIOD
- FOUR
- &
- &
- &
- &
- &
- THE NEWS REPORTS
- &
- A LONG NIGHT
- FIRST FIGURE
- SECOND FIGURE
- THIRD FIGURE
- FOURTH FIGURE
- FIFTH FIGURE
- SIXTH FIGURE
- SEVENTH FIGURE
- EIGHTH FIGURE
- NINTH FIGURE
- TENTH FIGURE
- ELEVENTH, TWELFTH, AND THIRTEENTH FIGURES
- FOURTEENTH FIGURE
- FIFTEENTH FIGURE
- SIXTEENTH FIGURE
- SEVENTEENTH FIGURE
- THE FIELD
- FIVE
- AN ORIENTATION
- ANOTHER ORIENTATION
- A DRIVE
- ASPECTS OF QUESTIONING
- SIGNS
- THE ENTIRE WORLD REVOLVES IN YOUR MIND
- SELF-REPAIR CAGE
- COFFEE
- FIGURE EIGHTEEN
- WAITING
- QUESTIONS TO LEARN MORE ABOUT UNDERLYING ISSUES
- FIGURE NINETEEN
- THE NEIGHBORING TOWN
- TWO GROUPS INTRODUCING THEMSELVES
- E BRIEFLY COMMANDEERS THE NARRATIVE
- THE INTRODUCTIONS CONTINUED
- WHAT IS AND ISN’T PREDICTABLE
- PABLO SENDS A POSTCARD
- MARINA TAKES A BREAK
- THE NEWS REPORTS
- LOSSES
- AUTOECIOUS END-STOPPED TANKA
- ACKNOWLEDGMENTS
- FUNDER ACKNOWLEDGMENTS
- THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
- About the Author
Figures twenty through twenty-seven, but who’s counting?
The question of which losses are permanent is open, as is that of which ones are desired. The sky at night is open. The bodega is open, almost all the time. The books are open, too, even the ones that have been forgotten, willfully or not. Even those obscured by a blur.
I would like to count embarrassment as a loss—the undue kind, at least. E and I share that wish with each other, and we offer it to you.
AUTOECIOUS END-STOPPED TANKA
E and S sat in the living room on pillows, backs against the wall. Stella had moved into the second bedroom; her mom had kicked her out for refusing to pay rent. E’s laptop was open to the dictionary. The earliest known appearance of “musical chairs” is from 1877, Merriam-Webster says; no further citation is provided.
Other terms added in 1877 include:
autoecious
autogamy
belly button
bookie
Camembert
check valve
deathwatch beetle
Decembrist
end-stopped
erotomania
field guide
fruit bat
gang hook
gegenschein
hoopla
hornswoggle
ingot iron
in re
jokester
jungle cat
kulak
limbus
macromere
nerve cord
ontological argument
primary root
rain tree
safety net
tanka
turnbuckle
underfur
vespid
work camp
xenophobia
yantra
and zymogen
They sat cross-legged on the floor looking up definitions. Behind the closed door, Stella was singing, or warming up to sing: unbroken arced scales moving from chest voice to head voice and back again. E and S looked at each other; nobody knew Stella sang.
They agreed Stella’s voice was beautiful. They agreed it was time for a drink. They laughed about how agreeable they were, but not without voicing their fear it would end. They agreed they should close the screen, but not before agreeing on the best word from the list. Gegenschein: a faint light about twenty degrees across on the celestial sphere opposite the sun
probably caused by
backscatter of sunlight by
solar-system dust.
ACKNOWLEDGMENTS
Thank you: Adrian Shirk, Akin Akinwumi, Amanda Annis, Ann Holder, Anne Elizabeth Moore, Barbara Browning, Bushel Collective, BC Revolutionary Feminisms Reading Group, BC Writers Group, Carla Valadez, Christopher Grau, Claire Donato, Communist Research Cluster, Daley Farr, Dana Spiotta, David Naimon, Deepika Marya and Leah Wing, Ellie Ga, Erika Stevens, Gordon Dahlquist, Iris Cushing, Jared Fagen, Jennifer Kabat, Jonathan Lethem, Kellie M. Hultgren, Laura Taylor, Laura Wood, Lewis Freedman, Lisa Anne Auerbach, Lizzie Davis, Lyric Hunter, Marco Breuer, Marit Swanson, Mina Takahashi, Mirene Arsanios, Pareesa Pourian, Renee Gladman, Roz Foster, Simone White, and volunteers on the Watershed Post liveblog (2011); the staff at Coffee House Press; Headlands Center for the Arts; my family and my friends. This is a work of fiction. Some of the places and situations are based, to some degree, on places that exist and events that have occurred. The characters populating these places and situations are made up.