Back Participation

Participation

Anna Moschovakis
Chapters (102)
  1. Cover
  2. PRAISE FOR
  3. Dedication
  4. ONE
  5. TWO GROUPS
  6. FACTS
  7. WORK
  8. A SYLLABUS
  9. ANOTHER SYLLABUS
  10. SUBSTITUTIONS
  11. MORE SUBSTITUTIONS
  12. TRIANGULATION
  13. TAXONOMIES
  14. THE SEASONS CHANGE
  15. TWO
  16. THE NEWS REPORTS
  17. RESEARCH
  18. THE NEWS REPORTS
  19. TWO LETTERS
  20. A DIAGRAM
  21. A COPIED PARAGRAPH
  22. THE REARRANGING UNIVERSE
  23. WHO WE ARE
  24. THE UNNAMED ELEMENTS
  25. POSES
  26. THE NEWS REPORTS
  27. CASTING
  28. AN INSTABILITY
  29. A FANTASY
  30. PEAK / END
  31. WOUNDS
  32. THE NEWS REPORTS
  33. FLUCTUATIONS
  34. HEAT
  35. QUESTIONS FOR A CLERK
  36. THE NEWS REPORTS
  37. THE ACTUAL NEWS
  38. GASLIGHTS
  39. THREE
  40. THE NEWS REPORTS (STRANDED PEOPLE SPREADSHEET)
  41. NAMES
  42. POSTCARD FROM S #1
  43. THE NEWS REPORTS (LIVEBLOG)
  44. POSTCARD FROM S #2
  45. THE NEWS REPORTS (FEED)
  46. POSTCARD FROM S #3
  47. RESPONSE
  48. WHAT WE WEREN’T DOING
  49. THE NEWS REPORTS
  50. THE MIDDLE PERIOD
  51. FOUR
  52. &
  53. &
  54. &
  55. &
  56. &
  57. THE NEWS REPORTS
  58. &
  59. A LONG NIGHT
  60. FIRST FIGURE
  61. SECOND FIGURE
  62. THIRD FIGURE
  63. FOURTH FIGURE
  64. FIFTH FIGURE
  65. SIXTH FIGURE
  66. SEVENTH FIGURE
  67. EIGHTH FIGURE
  68. NINTH FIGURE
  69. TENTH FIGURE
  70. ELEVENTH, TWELFTH, AND THIRTEENTH FIGURES
  71. FOURTEENTH FIGURE
  72. FIFTEENTH FIGURE
  73. SIXTEENTH FIGURE
  74. SEVENTEENTH FIGURE
  75. THE FIELD
  76. FIVE
  77. AN ORIENTATION
  78. ANOTHER ORIENTATION
  79. A DRIVE
  80. ASPECTS OF QUESTIONING
  81. SIGNS
  82. THE ENTIRE WORLD REVOLVES IN YOUR MIND
  83. SELF-REPAIR CAGE
  84. COFFEE
  85. FIGURE EIGHTEEN
  86. WAITING
  87. QUESTIONS TO LEARN MORE ABOUT UNDERLYING ISSUES
  88. FIGURE NINETEEN
  89. THE NEIGHBORING TOWN
  90. TWO GROUPS INTRODUCING THEMSELVES
  91. E BRIEFLY COMMANDEERS THE NARRATIVE
  92. THE INTRODUCTIONS CONTINUED
  93. WHAT IS AND ISN’T PREDICTABLE
  94. PABLO SENDS A POSTCARD
  95. MARINA TAKES A BREAK
  96. THE NEWS REPORTS
  97. LOSSES
  98. AUTOECIOUS END-STOPPED TANKA
  99. ACKNOWLEDGMENTS
  100. FUNDER ACKNOWLEDGMENTS
  101. THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
  102. About the Author

Cover

Cover: Participation, A Novel by Anna Moschovakis

PRAISE FOR

Eleanor, or, The Rejection of the Progress of Love

“Philosophically exhaustive yet profoundly human, this book sets itself the task of asking the big questions—What am I? What was I? What will I be?—in a style that evokes Lispector and Camus but with the self-referential and weary globalism of the current milieu. A consummately accomplished novel. A worthy treatise on the now.”

—Kirkus, starred review

“Anna Moschovakis has done something remarkable.”

—Los Angeles Review of Books

“Moschovakis’s novel is braided and experimental, yet it looks for illumination in the plainspoken and the authentic.”

—The Wall Street Journal

“Eleanor is a witty novel, studded with provocative literary and philosophical references.”

—BBC

“A novel about noticing and ruminating rather than assessing and concluding. The daily weather, interchanges with passing acquaintances, views out the window, are accorded the same attentive courtesy as love and pain. Life isn’t seen as a grand arc but as one thing after another, second by second. The book offers each moment, each sentence equitably and leaves us to decide what is important and how.”

—Star Tribune

“Funny, intelligent, and sensual, although also unsettled, Eleanor is engaging from the onset and a welcoming new female voice.”

—Library Journal

“By turns funny, melancholic, and provocative, Anna’s novel undoes and remakes the conventions of realist fiction through repetition and compression of time.… It is ‘luminously ordinary’ in its progression, where profound shifts are as small as a postcard written or a hand touched.”

—BOMB

“Moschovakis is in search of a way of presenting a woman’s life that is not expressed solely through family and bonds with others—that rebuffs inherited conventions while acknowledging that women are still labouring their way through the mare’s nest chaotically erected by patriarchy.”

—Frieze

“Moschovakis has created a novel of great strength and flex. Much as it bends and twists and gyres, it does not break, in fact only accumulates more tensile strength from the motion, just as, one hopes, we all can do.”

—The Brooklyn Rail

“Her prose is marvelously rich with meaning, conceptually dense and precise in phrasing.”

—Commonplace Review

“[A] carefully controlled, intelligent novel of ideas.”

—Literary Hub

“Performance art in print.”

—Publishers Weekly

“A brilliant, visceral, sensual examination of the condition of being a woman, and the inherent struggles related to identity and authority that exist for all of us.”

—Nylon

“[A] searching and poignant work that deftly positions itself between the unspeakable specificity of personal experience and the disturbing surplus of fungible narratives in our online world.”

—Cleaver

“Moschovakis’ book seem[s] to arrange itself as we move, dreamlike, through it, encountering a singular architecture of novel and novelist that challenges us to read and think towards new possibilities, new heights.”

—Arkansas International

“Moschovakis is a poet, and Eleanor is unmistakably a poet’s novel, alert to the textures of experience but relaxed in the pursuit of plot.”

—Lambda Literary