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Chapters (102)
  1. Cover
  2. PRAISE FOR
  3. Dedication
  4. ONE
  5. TWO GROUPS
  6. FACTS
  7. WORK
  8. A SYLLABUS
  9. ANOTHER SYLLABUS
  10. SUBSTITUTIONS
  11. MORE SUBSTITUTIONS
  12. TRIANGULATION
  13. TAXONOMIES
  14. THE SEASONS CHANGE
  15. TWO
  16. THE NEWS REPORTS
  17. RESEARCH
  18. THE NEWS REPORTS
  19. TWO LETTERS
  20. A DIAGRAM
  21. A COPIED PARAGRAPH
  22. THE REARRANGING UNIVERSE
  23. WHO WE ARE
  24. THE UNNAMED ELEMENTS
  25. POSES
  26. THE NEWS REPORTS
  27. CASTING
  28. AN INSTABILITY
  29. A FANTASY
  30. PEAK / END
  31. WOUNDS
  32. THE NEWS REPORTS
  33. FLUCTUATIONS
  34. HEAT
  35. QUESTIONS FOR A CLERK
  36. THE NEWS REPORTS
  37. THE ACTUAL NEWS
  38. GASLIGHTS
  39. THREE
  40. THE NEWS REPORTS (STRANDED PEOPLE SPREADSHEET)
  41. NAMES
  42. POSTCARD FROM S #1
  43. THE NEWS REPORTS (LIVEBLOG)
  44. POSTCARD FROM S #2
  45. THE NEWS REPORTS (FEED)
  46. POSTCARD FROM S #3
  47. RESPONSE
  48. WHAT WE WEREN’T DOING
  49. THE NEWS REPORTS
  50. THE MIDDLE PERIOD
  51. FOUR
  52. &
  53. &
  54. &
  55. &
  56. &
  57. THE NEWS REPORTS
  58. &
  59. A LONG NIGHT
  60. FIRST FIGURE
  61. SECOND FIGURE
  62. THIRD FIGURE
  63. FOURTH FIGURE
  64. FIFTH FIGURE
  65. SIXTH FIGURE
  66. SEVENTH FIGURE
  67. EIGHTH FIGURE
  68. NINTH FIGURE
  69. TENTH FIGURE
  70. ELEVENTH, TWELFTH, AND THIRTEENTH FIGURES
  71. FOURTEENTH FIGURE
  72. FIFTEENTH FIGURE
  73. SIXTEENTH FIGURE
  74. SEVENTEENTH FIGURE
  75. THE FIELD
  76. FIVE
  77. AN ORIENTATION
  78. ANOTHER ORIENTATION
  79. A DRIVE
  80. ASPECTS OF QUESTIONING
  81. SIGNS
  82. THE ENTIRE WORLD REVOLVES IN YOUR MIND
  83. SELF-REPAIR CAGE
  84. COFFEE
  85. FIGURE EIGHTEEN
  86. WAITING
  87. QUESTIONS TO LEARN MORE ABOUT UNDERLYING ISSUES
  88. FIGURE NINETEEN
  89. THE NEIGHBORING TOWN
  90. TWO GROUPS INTRODUCING THEMSELVES
  91. E BRIEFLY COMMANDEERS THE NARRATIVE
  92. THE INTRODUCTIONS CONTINUED
  93. WHAT IS AND ISN’T PREDICTABLE
  94. PABLO SENDS A POSTCARD
  95. MARINA TAKES A BREAK
  96. THE NEWS REPORTS
  97. LOSSES
  98. AUTOECIOUS END-STOPPED TANKA
  99. ACKNOWLEDGMENTS
  100. FUNDER ACKNOWLEDGMENTS
  101. THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
  102. About the Author

That day is today. That call is now. I’ll be right back.

THE NEWS REPORTS

Living a Feminist Life is a book I listened to in a car, almost exclusively during trips back and forth between the village in which Anti-Love met and the station stop at which I habitually boarded a train to the city in which Love met, or had once met, before my time.

It’s a good book to listen to. Like A Dialogue on Love, it uses poetry to interrupt the presumed (if false) transparency of nonfiction prose. By poetry I mean poetic techniques: meter, rhyme, homonym, repetition, iteration, recursion, and something harder to describe, some relation of sound to sense that keeps the reader perpetually

thrown.

But Living a Feminist Life is not a poem; it is an indoctrination.

I vow to give it to my next pregnant friend, cued up on padded

headphones (or ones made especially for pregnant

bellies—someone

must be peddling those by now).

Fuck Mozart: play this to that disaster in the making, to that

grotesque and unbearable signifier of hope.

FLUCTUATIONS

The continual back-and-forth, the never-really-touching-ground, can make it seem like life is happening elsewhere. And then sometimes you’re reminded that, in fact, it is.

My mentor called. I was crouched down behind the counter at the café-bar, rummaging in the disorderly shelves for a packet of artificial sweetener while my impatient customer, a stranger, sighed audibly above my head.

It was a poor connection, digitized and lossy. Holding the phone to my ear with my shoulder, finally putting my hands on a little pink packet and standing up to give it to the stranger, who seemed poised for defeat, I tried to decipher what I could hear of my mentor’s words.

“Not sure when,” my mentor said.

“Total mess,” my mentor said.

“Rely on the Manual,” my mentor said, and then, “but trust yourself.”

HEAT

The heat index is at 103 degrees—though summer is nearly over—in the city in which Love used to meet, and the apartment is a diagram of airflow under constant revision: fans set to “in” or “exhaust” in hopeful rotation from window to window, a sole insufficient air conditioner inconveniently placed over the sink in the kitchen, a small crank-operated skylight that may or may not be effective at letting hot air escape through the roof. I am looking for a novel that I suspect the bookstore might have in stock, so I put on as little as I can get away with in public and enter the street.

The feeling is like pushing a mattress with my torso. Each one of us on the street, pushing our own mattress: when we pass too closely to ignore one another completely, we peek our heads around our personal burdens and sneak an occasional shared grimace or smile, then push on.