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Chapters (102)
  1. Cover
  2. PRAISE FOR
  3. Dedication
  4. ONE
  5. TWO GROUPS
  6. FACTS
  7. WORK
  8. A SYLLABUS
  9. ANOTHER SYLLABUS
  10. SUBSTITUTIONS
  11. MORE SUBSTITUTIONS
  12. TRIANGULATION
  13. TAXONOMIES
  14. THE SEASONS CHANGE
  15. TWO
  16. THE NEWS REPORTS
  17. RESEARCH
  18. THE NEWS REPORTS
  19. TWO LETTERS
  20. A DIAGRAM
  21. A COPIED PARAGRAPH
  22. THE REARRANGING UNIVERSE
  23. WHO WE ARE
  24. THE UNNAMED ELEMENTS
  25. POSES
  26. THE NEWS REPORTS
  27. CASTING
  28. AN INSTABILITY
  29. A FANTASY
  30. PEAK / END
  31. WOUNDS
  32. THE NEWS REPORTS
  33. FLUCTUATIONS
  34. HEAT
  35. QUESTIONS FOR A CLERK
  36. THE NEWS REPORTS
  37. THE ACTUAL NEWS
  38. GASLIGHTS
  39. THREE
  40. THE NEWS REPORTS (STRANDED PEOPLE SPREADSHEET)
  41. NAMES
  42. POSTCARD FROM S #1
  43. THE NEWS REPORTS (LIVEBLOG)
  44. POSTCARD FROM S #2
  45. THE NEWS REPORTS (FEED)
  46. POSTCARD FROM S #3
  47. RESPONSE
  48. WHAT WE WEREN’T DOING
  49. THE NEWS REPORTS
  50. THE MIDDLE PERIOD
  51. FOUR
  52. &
  53. &
  54. &
  55. &
  56. &
  57. THE NEWS REPORTS
  58. &
  59. A LONG NIGHT
  60. FIRST FIGURE
  61. SECOND FIGURE
  62. THIRD FIGURE
  63. FOURTH FIGURE
  64. FIFTH FIGURE
  65. SIXTH FIGURE
  66. SEVENTH FIGURE
  67. EIGHTH FIGURE
  68. NINTH FIGURE
  69. TENTH FIGURE
  70. ELEVENTH, TWELFTH, AND THIRTEENTH FIGURES
  71. FOURTEENTH FIGURE
  72. FIFTEENTH FIGURE
  73. SIXTEENTH FIGURE
  74. SEVENTEENTH FIGURE
  75. THE FIELD
  76. FIVE
  77. AN ORIENTATION
  78. ANOTHER ORIENTATION
  79. A DRIVE
  80. ASPECTS OF QUESTIONING
  81. SIGNS
  82. THE ENTIRE WORLD REVOLVES IN YOUR MIND
  83. SELF-REPAIR CAGE
  84. COFFEE
  85. FIGURE EIGHTEEN
  86. WAITING
  87. QUESTIONS TO LEARN MORE ABOUT UNDERLYING ISSUES
  88. FIGURE NINETEEN
  89. THE NEIGHBORING TOWN
  90. TWO GROUPS INTRODUCING THEMSELVES
  91. E BRIEFLY COMMANDEERS THE NARRATIVE
  92. THE INTRODUCTIONS CONTINUED
  93. WHAT IS AND ISN’T PREDICTABLE
  94. PABLO SENDS A POSTCARD
  95. MARINA TAKES A BREAK
  96. THE NEWS REPORTS
  97. LOSSES
  98. AUTOECIOUS END-STOPPED TANKA
  99. ACKNOWLEDGMENTS
  100. FUNDER ACKNOWLEDGMENTS
  101. THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
  102. About the Author

stood up, not surprised or even disappointed at being stood up, but still affected—

still, despite myself, a little turned on, by the clerk’s hand having been down my skirt, by the contextualizing laughter itself, turned

on, also, by the book I’ve just bought, the cover of which is seductive matte black, a night

landscape with dunes, cactus—

a small and violent, generous book (from the text on the back: I’m pointing again, it’s a habit, I know), the kind I make an effort to find when someone trusted tips me off—

I am struck by the scene, its unlikeliness: the unexpected rain and the intensity of it (you really can’t go outside in this; the streets are empty), the unexpected encounter with my believed-to-be-dead clerk, even the near-instant change of tenor among my cohabitants in the bar, who went from silent to annoyed to convivial (with one exception: the bartender, scowling and swiping at her screen) five minutes into the deluge. Struck

by the scene, and just staring at the book and its title. I don’t know what it’s about, not really. I open it to page one of section one, “The Earth”:

“I’m dead, Makina said to herself when everything lurched.”

THE ACTUAL NEWS

What the actual news reports said, when the bartender turned on the television twenty minutes into the downpour, was that this was a tropical storm—Ezekiel—that had surprised the meteorologists by straying farther west than expected and now risked being upgraded to a hurricane, screwing with the nomenclature, it turns out, since in the U.S., tropical storms and hurricanes are named by different bodies, governmental and non (a fact the flustered meteorologist spent a minute of screen time on while sedans and SUVs floated down roiling street-rivers from left to right across the bar’s oversize TV).

I looked around. I look around: to my right, three lone drinkers, each pounding thumbs or fingers against a phone. To my left, a pair, youthful in dress and posture though I can’t see the agebetraying parts—faces, hands—so glued together are they in lips and tongues and, it turns out when I look harder, tears. They don’t seem to be fighting. One keeps grabbing the other’s chest, twisting t-shirt between fingers, which appears to make the other cry harder and also kiss harder. One is blond with a pink streak sprouting from the temple, the other wears a deep-black ponytail. I’m still staring at them, wanting to know what they know, when everything lurches.

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