Back Participation Save as PDF
Chapters (102)
  1. Cover
  2. PRAISE FOR
  3. Dedication
  4. ONE
  5. TWO GROUPS
  6. FACTS
  7. WORK
  8. A SYLLABUS
  9. ANOTHER SYLLABUS
  10. SUBSTITUTIONS
  11. MORE SUBSTITUTIONS
  12. TRIANGULATION
  13. TAXONOMIES
  14. THE SEASONS CHANGE
  15. TWO
  16. THE NEWS REPORTS
  17. RESEARCH
  18. THE NEWS REPORTS
  19. TWO LETTERS
  20. A DIAGRAM
  21. A COPIED PARAGRAPH
  22. THE REARRANGING UNIVERSE
  23. WHO WE ARE
  24. THE UNNAMED ELEMENTS
  25. POSES
  26. THE NEWS REPORTS
  27. CASTING
  28. AN INSTABILITY
  29. A FANTASY
  30. PEAK / END
  31. WOUNDS
  32. THE NEWS REPORTS
  33. FLUCTUATIONS
  34. HEAT
  35. QUESTIONS FOR A CLERK
  36. THE NEWS REPORTS
  37. THE ACTUAL NEWS
  38. GASLIGHTS
  39. THREE
  40. THE NEWS REPORTS (STRANDED PEOPLE SPREADSHEET)
  41. NAMES
  42. POSTCARD FROM S #1
  43. THE NEWS REPORTS (LIVEBLOG)
  44. POSTCARD FROM S #2
  45. THE NEWS REPORTS (FEED)
  46. POSTCARD FROM S #3
  47. RESPONSE
  48. WHAT WE WEREN’T DOING
  49. THE NEWS REPORTS
  50. THE MIDDLE PERIOD
  51. FOUR
  52. &
  53. &
  54. &
  55. &
  56. &
  57. THE NEWS REPORTS
  58. &
  59. A LONG NIGHT
  60. FIRST FIGURE
  61. SECOND FIGURE
  62. THIRD FIGURE
  63. FOURTH FIGURE
  64. FIFTH FIGURE
  65. SIXTH FIGURE
  66. SEVENTH FIGURE
  67. EIGHTH FIGURE
  68. NINTH FIGURE
  69. TENTH FIGURE
  70. ELEVENTH, TWELFTH, AND THIRTEENTH FIGURES
  71. FOURTEENTH FIGURE
  72. FIFTEENTH FIGURE
  73. SIXTEENTH FIGURE
  74. SEVENTEENTH FIGURE
  75. THE FIELD
  76. FIVE
  77. AN ORIENTATION
  78. ANOTHER ORIENTATION
  79. A DRIVE
  80. ASPECTS OF QUESTIONING
  81. SIGNS
  82. THE ENTIRE WORLD REVOLVES IN YOUR MIND
  83. SELF-REPAIR CAGE
  84. COFFEE
  85. FIGURE EIGHTEEN
  86. WAITING
  87. QUESTIONS TO LEARN MORE ABOUT UNDERLYING ISSUES
  88. FIGURE NINETEEN
  89. THE NEIGHBORING TOWN
  90. TWO GROUPS INTRODUCING THEMSELVES
  91. E BRIEFLY COMMANDEERS THE NARRATIVE
  92. THE INTRODUCTIONS CONTINUED
  93. WHAT IS AND ISN’T PREDICTABLE
  94. PABLO SENDS A POSTCARD
  95. MARINA TAKES A BREAK
  96. THE NEWS REPORTS
  97. LOSSES
  98. AUTOECIOUS END-STOPPED TANKA
  99. ACKNOWLEDGMENTS
  100. FUNDER ACKNOWLEDGMENTS
  101. THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
  102. About the Author

Two hours later, after more coffee had been made and consumed, after the dog had been settled into a makeshift bed of old blankets, the postcards acknowledged but not explained, and the stacks of books on the coffee table and on the floor lightly browsed and casually rearranged; after the two bodies had noticed without comment their near-identical size and weight, their symmetrical arms and kindred hair, their wardrobe similarities and their identically groomed nails; after each had put a hand down the other’s pants; after one had brought the other’s finger up and bitten it, hard; after the woodstove had been stoked and eggs had been scrambled and devoured, E looked across the table at S. “I can’t figure out what you look like,” she said. “I can see you, but I can’t picture you. What’s that about?” And S said, “It’s O.K., I don’t need to be pictured. There are other things I need.” And the sun emerged from behind a cloud and they decided to take the dog out for a walk.

THE NEWS REPORTS

Some facts may have been misrepresented, or misleadingly described.

The mail did cease to arrive, but only for two days. It was unprecedented, but then quickly normalized into a glitch. The post office issued a terse statement arguing, in effect, that they’ d had a pretty good run of neither snow nor rain nor heat nor gloom of night and that, with the budget cuts, the dominance of internet communication, increased competition from private carriers, and the declining health of their aging workforce (the number of postal workers shot or killed by dogs had doubled annually for the last five years; the young underemployed couldn’t be enticed to join), they would continue to reserve the right to pause service in localized areas when acts of God rendered delivery virtually impossible.

There is a version of this story in which the city where Love once met—the city in which the apartment across from the café, the bodega, and the playground is situated—is underwater, in chaos, a battleground or a breeding ground or a mass grave. You wanted a story, and that would have been a good one, ripe with analogies to our present age, rich with interpretables, a litmus test for those who read it, distributing them (whether or not they were aware that their deepest responses to the narrative, the ones that protest or agree with a character’s reaction to a situation of threat, distribute them thus) along the temperamental continuum from stasis-preserving to experimental, the reformers and the burners-to-the-ground. It would have helped us, perhaps, imagine the actual future for which we are more or less bound, though without knowing when.

But that isn’t what’s happened, what’s happening here.