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Chapters (102)
  1. Cover
  2. PRAISE FOR
  3. Dedication
  4. ONE
  5. TWO GROUPS
  6. FACTS
  7. WORK
  8. A SYLLABUS
  9. ANOTHER SYLLABUS
  10. SUBSTITUTIONS
  11. MORE SUBSTITUTIONS
  12. TRIANGULATION
  13. TAXONOMIES
  14. THE SEASONS CHANGE
  15. TWO
  16. THE NEWS REPORTS
  17. RESEARCH
  18. THE NEWS REPORTS
  19. TWO LETTERS
  20. A DIAGRAM
  21. A COPIED PARAGRAPH
  22. THE REARRANGING UNIVERSE
  23. WHO WE ARE
  24. THE UNNAMED ELEMENTS
  25. POSES
  26. THE NEWS REPORTS
  27. CASTING
  28. AN INSTABILITY
  29. A FANTASY
  30. PEAK / END
  31. WOUNDS
  32. THE NEWS REPORTS
  33. FLUCTUATIONS
  34. HEAT
  35. QUESTIONS FOR A CLERK
  36. THE NEWS REPORTS
  37. THE ACTUAL NEWS
  38. GASLIGHTS
  39. THREE
  40. THE NEWS REPORTS (STRANDED PEOPLE SPREADSHEET)
  41. NAMES
  42. POSTCARD FROM S #1
  43. THE NEWS REPORTS (LIVEBLOG)
  44. POSTCARD FROM S #2
  45. THE NEWS REPORTS (FEED)
  46. POSTCARD FROM S #3
  47. RESPONSE
  48. WHAT WE WEREN’T DOING
  49. THE NEWS REPORTS
  50. THE MIDDLE PERIOD
  51. FOUR
  52. &
  53. &
  54. &
  55. &
  56. &
  57. THE NEWS REPORTS
  58. &
  59. A LONG NIGHT
  60. FIRST FIGURE
  61. SECOND FIGURE
  62. THIRD FIGURE
  63. FOURTH FIGURE
  64. FIFTH FIGURE
  65. SIXTH FIGURE
  66. SEVENTH FIGURE
  67. EIGHTH FIGURE
  68. NINTH FIGURE
  69. TENTH FIGURE
  70. ELEVENTH, TWELFTH, AND THIRTEENTH FIGURES
  71. FOURTEENTH FIGURE
  72. FIFTEENTH FIGURE
  73. SIXTEENTH FIGURE
  74. SEVENTEENTH FIGURE
  75. THE FIELD
  76. FIVE
  77. AN ORIENTATION
  78. ANOTHER ORIENTATION
  79. A DRIVE
  80. ASPECTS OF QUESTIONING
  81. SIGNS
  82. THE ENTIRE WORLD REVOLVES IN YOUR MIND
  83. SELF-REPAIR CAGE
  84. COFFEE
  85. FIGURE EIGHTEEN
  86. WAITING
  87. QUESTIONS TO LEARN MORE ABOUT UNDERLYING ISSUES
  88. FIGURE NINETEEN
  89. THE NEIGHBORING TOWN
  90. TWO GROUPS INTRODUCING THEMSELVES
  91. E BRIEFLY COMMANDEERS THE NARRATIVE
  92. THE INTRODUCTIONS CONTINUED
  93. WHAT IS AND ISN’T PREDICTABLE
  94. PABLO SENDS A POSTCARD
  95. MARINA TAKES A BREAK
  96. THE NEWS REPORTS
  97. LOSSES
  98. AUTOECIOUS END-STOPPED TANKA
  99. ACKNOWLEDGMENTS
  100. FUNDER ACKNOWLEDGMENTS
  101. THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
  102. About the Author

It isn’t that he doesn’t know where he has found himself, after the circuitous ride on the volunteer bus, through increasingly less familiar two-lane highways and cliffside roads. They have passed by dozens of similarly disused compounds—clusters of small dwellings, cabins or sheds, the occasional yurt—some with halfdefoliated vines spilling from their paneless windows, a preview for the arriving season’s show. None of the compounds seemed occupied, but Pablo knew they may be; he had been an invisible resident more than once in his life. People are easy to fool.

Now, alone at the white plastic folding table, a paper cup of cold coffee in front of him and a paper plate of peanut-butter cookies to his side, beneath the canvas roof of a canvas tent insufficiently heated by three upright propane torches, he buttoned up his jacket and pulled a notebook from its pocket. His ambivalence about where he’d landed was almost too much to bear. At least he would record the day’s events.

ANOTHER ORIENTATION

The woman with the short silver hair—“my brief haircut,” she had taken to calling it, since she gave it to herself every few days with a pair of manual clippers she carried in her bag; the whole operation took less than ten minutes—tilted her head away from the morning sun she’d paused to take in full-face, opened her eyes, and saw, down the path, the canvas tent she’d been expecting. She glanced again at the note in her hand: If you see the translator, make friends. He might let you share his table.

On the tent’s aluminum-frame door was a small paper sign legible only from a close distance, typed in all caps on a manual typewriter: PERSONAL REPAIR CAFÉ. The silver-haired woman put the note back in her bag, alongside the clippers and an unbound photocopy of the Manual, and turned the handle.

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To say, as E did once, that Pablo left because he was needed was a kind of shorthand, a bluff. To say It wasn’t that he didn’t know where he’d found himself was also shorthand: he had been told where he was—he’d also read the sign on the door, coming in—but his role there was unclear. He knew, or rather he sensed, that his job, if it could be described as a job, would have something to do with translation, but that was it.

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