Chapters (102)
- Cover
- PRAISE FOR
- Dedication
- ONE
- TWO GROUPS
- FACTS
- WORK
- A SYLLABUS
- ANOTHER SYLLABUS
- SUBSTITUTIONS
- MORE SUBSTITUTIONS
- TRIANGULATION
- TAXONOMIES
- THE SEASONS CHANGE
- TWO
- THE NEWS REPORTS
- RESEARCH
- THE NEWS REPORTS
- TWO LETTERS
- A DIAGRAM
- A COPIED PARAGRAPH
- THE REARRANGING UNIVERSE
- WHO WE ARE
- THE UNNAMED ELEMENTS
- POSES
- THE NEWS REPORTS
- CASTING
- AN INSTABILITY
- A FANTASY
- PEAK / END
- WOUNDS
- THE NEWS REPORTS
- FLUCTUATIONS
- HEAT
- QUESTIONS FOR A CLERK
- THE NEWS REPORTS
- THE ACTUAL NEWS
- GASLIGHTS
- THREE
- THE NEWS REPORTS (STRANDED PEOPLE SPREADSHEET)
- NAMES
- POSTCARD FROM S #1
- THE NEWS REPORTS (LIVEBLOG)
- POSTCARD FROM S #2
- THE NEWS REPORTS (FEED)
- POSTCARD FROM S #3
- RESPONSE
- WHAT WE WEREN’T DOING
- THE NEWS REPORTS
- THE MIDDLE PERIOD
- FOUR
- &
- &
- &
- &
- &
- THE NEWS REPORTS
- &
- A LONG NIGHT
- FIRST FIGURE
- SECOND FIGURE
- THIRD FIGURE
- FOURTH FIGURE
- FIFTH FIGURE
- SIXTH FIGURE
- SEVENTH FIGURE
- EIGHTH FIGURE
- NINTH FIGURE
- TENTH FIGURE
- ELEVENTH, TWELFTH, AND THIRTEENTH FIGURES
- FOURTEENTH FIGURE
- FIFTEENTH FIGURE
- SIXTEENTH FIGURE
- SEVENTEENTH FIGURE
- THE FIELD
- FIVE
- AN ORIENTATION
- ANOTHER ORIENTATION
- A DRIVE
- ASPECTS OF QUESTIONING
- SIGNS
- THE ENTIRE WORLD REVOLVES IN YOUR MIND
- SELF-REPAIR CAGE
- COFFEE
- FIGURE EIGHTEEN
- WAITING
- QUESTIONS TO LEARN MORE ABOUT UNDERLYING ISSUES
- FIGURE NINETEEN
- THE NEIGHBORING TOWN
- TWO GROUPS INTRODUCING THEMSELVES
- E BRIEFLY COMMANDEERS THE NARRATIVE
- THE INTRODUCTIONS CONTINUED
- WHAT IS AND ISN’T PREDICTABLE
- PABLO SENDS A POSTCARD
- MARINA TAKES A BREAK
- THE NEWS REPORTS
- LOSSES
- AUTOECIOUS END-STOPPED TANKA
- ACKNOWLEDGMENTS
- FUNDER ACKNOWLEDGMENTS
- THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
- About the Author
It isn’t that he doesn’t know where he has found himself, after the circuitous ride on the volunteer bus, through increasingly less familiar two-lane highways and cliffside roads. They have passed by dozens of similarly disused compounds—clusters of small dwellings, cabins or sheds, the occasional yurt—some with halfdefoliated vines spilling from their paneless windows, a preview for the arriving season’s show. None of the compounds seemed occupied, but Pablo knew they may be; he had been an invisible resident more than once in his life. People are easy to fool.
Now, alone at the white plastic folding table, a paper cup of cold coffee in front of him and a paper plate of peanut-butter cookies to his side, beneath the canvas roof of a canvas tent insufficiently heated by three upright propane torches, he buttoned up his jacket and pulled a notebook from its pocket. His ambivalence about where he’d landed was almost too much to bear. At least he would record the day’s events.
ANOTHER ORIENTATION
The woman with the short silver hair—“my brief haircut,” she had taken to calling it, since she gave it to herself every few days with a pair of manual clippers she carried in her bag; the whole operation took less than ten minutes—tilted her head away from the morning sun she’d paused to take in full-face, opened her eyes, and saw, down the path, the canvas tent she’d been expecting. She glanced again at the note in her hand: If you see the translator, make friends. He might let you share his table.
On the tent’s aluminum-frame door was a small paper sign legible only from a close distance, typed in all caps on a manual typewriter: PERSONAL REPAIR CAFÉ. The silver-haired woman put the note back in her bag, alongside the clippers and an unbound photocopy of the Manual, and turned the handle.
To say, as E did once, that Pablo left because he was needed was a kind of shorthand, a bluff. To say It wasn’t that he didn’t know where he’d found himself was also shorthand: he had been told where he was—he’d also read the sign on the door, coming in—but his role there was unclear. He knew, or rather he sensed, that his job, if it could be described as a job, would have something to do with translation, but that was it.