Chapters (102)
- Cover
- PRAISE FOR
- Dedication
- ONE
- TWO GROUPS
- FACTS
- WORK
- A SYLLABUS
- ANOTHER SYLLABUS
- SUBSTITUTIONS
- MORE SUBSTITUTIONS
- TRIANGULATION
- TAXONOMIES
- THE SEASONS CHANGE
- TWO
- THE NEWS REPORTS
- RESEARCH
- THE NEWS REPORTS
- TWO LETTERS
- A DIAGRAM
- A COPIED PARAGRAPH
- THE REARRANGING UNIVERSE
- WHO WE ARE
- THE UNNAMED ELEMENTS
- POSES
- THE NEWS REPORTS
- CASTING
- AN INSTABILITY
- A FANTASY
- PEAK / END
- WOUNDS
- THE NEWS REPORTS
- FLUCTUATIONS
- HEAT
- QUESTIONS FOR A CLERK
- THE NEWS REPORTS
- THE ACTUAL NEWS
- GASLIGHTS
- THREE
- THE NEWS REPORTS (STRANDED PEOPLE SPREADSHEET)
- NAMES
- POSTCARD FROM S #1
- THE NEWS REPORTS (LIVEBLOG)
- POSTCARD FROM S #2
- THE NEWS REPORTS (FEED)
- POSTCARD FROM S #3
- RESPONSE
- WHAT WE WEREN’T DOING
- THE NEWS REPORTS
- THE MIDDLE PERIOD
- FOUR
- &
- &
- &
- &
- &
- THE NEWS REPORTS
- &
- A LONG NIGHT
- FIRST FIGURE
- SECOND FIGURE
- THIRD FIGURE
- FOURTH FIGURE
- FIFTH FIGURE
- SIXTH FIGURE
- SEVENTH FIGURE
- EIGHTH FIGURE
- NINTH FIGURE
- TENTH FIGURE
- ELEVENTH, TWELFTH, AND THIRTEENTH FIGURES
- FOURTEENTH FIGURE
- FIFTEENTH FIGURE
- SIXTEENTH FIGURE
- SEVENTEENTH FIGURE
- THE FIELD
- FIVE
- AN ORIENTATION
- ANOTHER ORIENTATION
- A DRIVE
- ASPECTS OF QUESTIONING
- SIGNS
- THE ENTIRE WORLD REVOLVES IN YOUR MIND
- SELF-REPAIR CAGE
- COFFEE
- FIGURE EIGHTEEN
- WAITING
- QUESTIONS TO LEARN MORE ABOUT UNDERLYING ISSUES
- FIGURE NINETEEN
- THE NEIGHBORING TOWN
- TWO GROUPS INTRODUCING THEMSELVES
- E BRIEFLY COMMANDEERS THE NARRATIVE
- THE INTRODUCTIONS CONTINUED
- WHAT IS AND ISN’T PREDICTABLE
- PABLO SENDS A POSTCARD
- MARINA TAKES A BREAK
- THE NEWS REPORTS
- LOSSES
- AUTOECIOUS END-STOPPED TANKA
- ACKNOWLEDGMENTS
- FUNDER ACKNOWLEDGMENTS
- THE PUBLISHER’S CIRCLE OF COFFEE HOUSE PRESS
- About the Author
I am not going to report on the book I picked up from the stack, opened, and began to read, then put down, with its bright-patterned cover, background lilac or rose, brighter flowers abstracted and bleeding to the edge, title scrawled in a deep orange red above, in smaller lettering, the name of my faraway friend. I’m not going
to copy his beautiful opening line about sexual
pleasure and
reading. I’m going to report, telegraphically, on the actual
news, dominated today by the march
of the white supremacists
the countermarch of the anti–white supremacists
the think piece about white supremacy
the behavior of the white supremacists
the behavior of the pigs, so like
the behavior of the white supremacists
the behavior of the larger group of anti–white supremacists
who were nonetheless
by the calculus of power
outnumbered.
I’ve been avoiding the news in these news reports, reaching instead
for the new, an attempt to pry
it out, from remains, from
bibliomancy.
You aren’t surprised; you know by now how I am.
I’m going to pick up the book again, the one with the pink
cover, shiny, tear-proof, and read the second line
and then the third.
CASTING
I dream about S. A dream that vanished on waking, then rebuilt itself, image by image and sensation by sensation, a series of affective aftershocks that continued for several hours of the day. At first I thought I might be dreaming as either the husband or the wife: the dream could have belonged to either, with a near inevitability; it may have helped one or both to move forward, or sideways—something. But it was, truly, about S, at least as much as a dream can be said to be about a person impossible to picture, impossible to represent.
S was simply present, infused in the narrative without being cast in it exactly.
Casting, after all, is what S seems to exist to avoid.
The scene was like an animated card from the tarot, a symbolic illustration come to something-like-life. Its setting was a rectangular stone-lined pool in the courtyard of a crumbling house, once grand and large enough for several dyads, triads, and multiples—a potential site for the anti-nuclear option, though all markers (markers that were sensed rather than observed or read) pointed toward a lonely past of opulent but unused, light-filled rooms. Back in the courtyard, a shallow pool: a reflecting pool that, covered in duckweed or some other pond scum, refused to reflect.
I was there—(Were you? There was a diffuse and haunted sense of being observed from somewhere in the house, above the courtyard.)—but I was there in the pool, looking down at the scum, trying to locate, to decipher, something that could pass for my reflection. The scene froze there.
What made it unfreeze is the part I don’t understand.