Chapters (106)
- Cover
- Dedication
- PROLOGUE
- A FEW MONTHS EARLIER
- ART SAID
- I WALK
- THEY SAY
- IN THE WINGS
- THEY SAY
- I POST
- THEY SAY
- A WOMB OF ONE’S OWN
- THERAPY SESSION #1(DRAMATIC MONOLOGUE)
- LIKE OF DUTY
- PICTURE THE SCENE
- I SAID
- THE PATATAS BRAVAS
- KELLY HAD SAID
- SOBER SEXTS
- ABLUTIONS
- MY BATHROOM SAID
- TIPPING POINT
- MY MOTHER SAID
- I WAS EIGHTEEN
- ART SAID
- SOMEONE SAYS
- A REALLY BAD SIGN
- MIA SAYS
- I WALK
- KNOCKKNOCK
- ONE-LINERS
- I SAY
- THE OUTRAGE
- BABY ELEPHANT
- ART SAID
- MY MOTHER SAYS
- HOW I MET KELLY
- ART SAID
- ART SAID
- WHAT LASTS?
- BAD STAND-UP
- GHOSTESS WITH THE MOSTEST
- I WOKE UP LIKE THIS
- THE MIND CREATES THE ABYSS
- I ADORED
- ART SAID
- YOU
- TERMS OF ENDEARMENT
- IF
- ART’S MOTHER SAID
- FULL DESPERATE
- MISERABLE PHO
- BREATHING FOR ONE
- POPULAR PROBLEMS
- ON THE BUS
- TABS
- GRANMA SAID
- ALL MY CIRCUS, ALL MY MONKEYS
- BURNOUT
- THERAPY SESSION #2
- IN
- APP IDEA
- LOOK NO HANDS
- HI HI HI
- BACK AT HOME
- EXHIBITS A AND B
- GOOD FAMOUS PEOPLE
- MY MOTHER
- STILL
- LIFE
- WE’D GONE
- ‘FUNNY’
- OUTGROWN
- ART SAID
- BODIES OF WORK
- KELLY SAID
- FAKE NEWS
- GOOGLE ME
- SOCIAL CATERPILLAR
- REALLY THO
- DEALS WITH STRANGERS
- NEWS ITEM
- NICOLETTE SAYS
- HALF AN HOUR LATER
- ASS FIZZ
- THAT NIGHT
- IT HAPPENED TO HAPPEN
- #FROTHEH
- MY MOTHER SAYS
- THE HEART CROSSES IT
- MANCHILD
- WHO YA GONNA CALL
- NAKED AMBITION
- SOHO SQUARE
- CHIEF EMOTIONS
- SHE SAYS
- KELLY SAYS
- GENUINE QUESTION
- LIFE DRAWING
- RELAX
- WE LIE
- SILENT-ISH NIGHT
- THANKS
- About the Author
- ALSO BY EMMA JANE UNSWORTH
- About the Publisher
I was thrilled. Deeply, problematically thrilled. I pressed him for more details. It would be tasteful, of course. Politically right-on. And, a week later, I was on my back on the kitchen floor, holding some roses over my bush and staring up at the black circle of Art’s lens as he stood on two kitchen chairs over me, balanced like a bridge. Part of me billowed at being his subject. I wanted scrutinising, I did. I wanted someone to look and look and look at me and not stop looking. The roses were meant to symbolise menstruation – that’s what Art said in interviews. Hahaha! Who WAS this guy?
‘I am going to buy you a present every time you get your period,’ he also said to me.
‘That’s quite a commitment.’
‘So be it.’
Before the photos were released I used to sneak down to his darkroom in the cellar, flick on the strip light, and ogle myself. I was overjoyed they were going out into the world. That anticipation was mine and mine alone. I knew how well they’d do. I felt my own proximity to heat, to warmth, to … almost-love. I couldn’t wait. Could not wait. How did they make me feel? Adored. Seen. Validated. I wanted all those girls I went to school with to see. I felt as though I had that in my eyes as I stared out, lethal. Bow down, bitches …
Kelly said: ‘Do you not feel a bit exposed?’
I said: ‘Are you making a photography joke?’
‘No.’
‘He’s an artist,’ I said defensively. ‘It’s his job to expose things.’
A fudge! Similar: ‘Would you love him if he wasn’t an artist?’
Oh, but (I took my time with this one, pre-prepped): ‘Art wouldn’t be Art if he wasn’t an artist.’
He loved me, and I loved him. We did. We assuaged each other’s fears for as long as we could. But once the pictures were out, and people talked over me when he tried to introduce me, I saw myself for what I was: the silent partner. It was a legacy, but not my legacy. Half of me revelled in the glory of being seen; the other half felt undermined. But Art still saw me. Still saw right through. Didn’t he?
Like when he found me in the kitchen that Halloween – our third Halloween party in a row. We’d invited so many people – it must have been close to a hundred in the end. Pumpkin lights and cobwebs were strung along the bannisters. The lounge was full of hags and zombies. I was in the kitchen, tipping pineapple juice into a pan of hot rum punch. A tower of vintage teacups teetered by the hob.
Art came up behind me silently and put his arms around me. ‘You okay?’
‘Yeah!’