Chapters (106)
- Cover
- Dedication
- PROLOGUE
- A FEW MONTHS EARLIER
- ART SAID
- I WALK
- THEY SAY
- IN THE WINGS
- THEY SAY
- I POST
- THEY SAY
- A WOMB OF ONE’S OWN
- THERAPY SESSION #1(DRAMATIC MONOLOGUE)
- LIKE OF DUTY
- PICTURE THE SCENE
- I SAID
- THE PATATAS BRAVAS
- KELLY HAD SAID
- SOBER SEXTS
- ABLUTIONS
- MY BATHROOM SAID
- TIPPING POINT
- MY MOTHER SAID
- I WAS EIGHTEEN
- ART SAID
- SOMEONE SAYS
- A REALLY BAD SIGN
- MIA SAYS
- I WALK
- KNOCKKNOCK
- ONE-LINERS
- I SAY
- THE OUTRAGE
- BABY ELEPHANT
- ART SAID
- MY MOTHER SAYS
- HOW I MET KELLY
- ART SAID
- ART SAID
- WHAT LASTS?
- BAD STAND-UP
- GHOSTESS WITH THE MOSTEST
- I WOKE UP LIKE THIS
- THE MIND CREATES THE ABYSS
- I ADORED
- ART SAID
- YOU
- TERMS OF ENDEARMENT
- IF
- ART’S MOTHER SAID
- FULL DESPERATE
- MISERABLE PHO
- BREATHING FOR ONE
- POPULAR PROBLEMS
- ON THE BUS
- TABS
- GRANMA SAID
- ALL MY CIRCUS, ALL MY MONKEYS
- BURNOUT
- THERAPY SESSION #2
- IN
- APP IDEA
- LOOK NO HANDS
- HI HI HI
- BACK AT HOME
- EXHIBITS A AND B
- GOOD FAMOUS PEOPLE
- MY MOTHER
- STILL
- LIFE
- WE’D GONE
- ‘FUNNY’
- OUTGROWN
- ART SAID
- BODIES OF WORK
- KELLY SAID
- FAKE NEWS
- GOOGLE ME
- SOCIAL CATERPILLAR
- REALLY THO
- DEALS WITH STRANGERS
- NEWS ITEM
- NICOLETTE SAYS
- HALF AN HOUR LATER
- ASS FIZZ
- THAT NIGHT
- IT HAPPENED TO HAPPEN
- #FROTHEH
- MY MOTHER SAYS
- THE HEART CROSSES IT
- MANCHILD
- WHO YA GONNA CALL
- NAKED AMBITION
- SOHO SQUARE
- CHIEF EMOTIONS
- SHE SAYS
- KELLY SAYS
- GENUINE QUESTION
- LIFE DRAWING
- RELAX
- WE LIE
- SILENT-ISH NIGHT
- THANKS
- About the Author
- ALSO BY EMMA JANE UNSWORTH
- About the Publisher
‘I like his energy. It complements yours. And mine.’
I sat back. ‘Are you making a play for him? Because if you are, this situation is veering horribly close to cliché.’
‘Pahaha! Making a play – what a notion.’
‘Because you actually described yourself earlier as a “gymslip mum”. You actually used those words.’
‘It’s as simple as this: I think he’s good for you.’
‘I’m good as I am. I don’t need anyone to make me better.’
‘I know that. But I also know—’
‘What?’
‘How it gets, sometimes.’
In my head I thought she might mean ‘lonely’, but I didn’t want to push it, and anyway Art was coming back. And how could she be lonely, this woman who professed to be constantly harangued and harassed by the voices of spirits, which invaded her thoughts like rampant toddlers, or so she said. I once asked her: How do you switch off? She winked and raised her gin glass to me.
She put her hand on my arm. ‘But you must comb through his teenage years with him. Don’t let him be evasive. Don’t let his own … toxic experiences stop him … experiencing things with you.’
‘Thanks, but I don’t need relationship advice from someone who hasn’t had a relationship since the nineties.’
‘Well what do you call this?’
‘What?’ I said, confused.
She batted her hand back and forth between us.
‘Me and you? Hah! I mean a proper relationship. A romantic relationship.’
‘Romantic. God help you.’
But she did have a few relationships, years ago – relationships in which she invested enough to be jealous. Are you sitting comfortably? I’ll begin anyway.
A long time ago, back in the days when love was still analogue, my mother knew a man named Roger. Roger the Theatre Producer, to give him his full title. And you really must, with men like that, or there’s simply no point to them. Like most of my mother’s men, Roger was married and lived in London, but he travelled a lot. The first night he stayed I came downstairs feigning a headache, a thirst, I was feverish (with curiosity). I was thirteen.
She was in the kitchen fixing something long and cool. He was short and hot.
He started at the sight of me, white-gowned in the doorway. Oh, hello! You must be Jenny.
I nodded and went to sit at the end of the sofa, beside the coiled cobra lamp that was my mother’s most beloved possession. I smiled at Roger expectantly. I had things to learn. I liked the way his arms looked in his short-sleeved shirt. I was at an age when I still trusted muscles.
How old are you? I asked.
Forty.