Back Across the Line Save as PDF
Contents ( 65)
  1. NAYANIKA MAHTANI
  2. Contents
  3. Advance Praise for the Book
  4. 1947
  5. Drawing the Line
  6. Paper Boats
  7. Zero Hour
  8. The Referee
  9. Musaafir Khaana
  10. As if Nothing Had Happened
  11. No Man’s Land
  12. 2008
  13. Of Mice and Men
  14. There’s More to Life than Cricket
  15. Poster Girl
  16. Recess
  17. Talking in Riddles
  18. Blue-Black Nothings
  19. Selection Day
  20. We’ve Got News
  21. ‘That Voice’
  22. Winging It
  23. The Unspoken Code
  24. Mind the Gap
  25. Dragon Breath
  26. Nabeel’s Kitchen
  27. Sumo Wrestling
  28. War of the Roses
  29. Too Much to Digest
  30. Alphonso Season
  31. Glorious Uncertainties
  32. Stalkers
  33. Empty-handed
  34. The Bridge
  35. The High Road
  36. Houseful
  37. Acrylics and Oils
  38. Rukhsana
  39. Rahmat Bibi
  40. Threads
  41. Too Familiar
  42. Fireflies
  43. Four’s Company
  44. Howzat?
  45. The Little Green Dot
  46. Touching Distance
  47. Filter Coffee
  48. Deadlock
  49. Unforgotten
  50. The Envelope
  51. Highway Robbers
  52. Travel Companions
  53. Unseen
  54. 2012
  55. Pitching It Right
  56. Epilogue
  57. What Did I Miss?
  58. Erasure
  59. Author’s Note
  60. Bibliography
  61. Acknowledgements
  62. Read more in Penguin
  63. Read more in Penguin
  64. Read more in Penguin
  65. THE BEGINNING

‘That’s right . . . I forgot you’re a descendant of the Maharaja of Patiala!’ retorted Arathi.

Rajan twirled an imaginary handlebar moustache in jest.

‘My granddad did go to school with one of the Maharajas of Patiala—at Aitchison College in Lahore—so it could be a gift from his royal buddy.’

Arathi rolled her eyes. ‘So, how many of your school friends have gifted you priceless antique jewellery, Rajan?’

‘Can we have lunch now?’ said Jai, interrupting this volley between his parents. ‘And can we order pizza, please? This mouse has jumped in all the food here.’

‘Come on, I’m sure that’s not true, Jai,’ said his father. ‘Is it, Ma?’ Rajan turned to look at his mother.

But she hadn’t heard him. She just stood still, a faraway look in her eyes. She brought the diary close to her face and peered at it with her failing sight, holding it as if she was afraid of what she might be reminded of.

Almost inaudibly, she read out the date of the last entry in the diary: ‘17 August 1947.’

There’s More to Life than Cricket

Rawalpindi, Pakistan

A loud crash announced Inaya’s misjudged attempt at hitting a sixer in the tape-ball cricket tournament taking place in the street adjoining Haider Mansion. It startled Mudassar, the Haiders’ elderly help, almost causing him to drop the figurine of the ballerina that he was dusting. A tennis ball covered in insulation tape had shot through the open French windows in the drawing room, bouncing off a painting over the mantelpiece and knocking over a crystal photo frame. The ball deftly made its way through the shards of glass that now covered the floor to finally disappear beneath the large leather sofa. Moments later, a breathless fifteen-year-old burst into the room.

‘Sorry, sorry, Mudassar Chacha,’ Inaya panted, pushing away the mop of unruly curls from her eyes. Impenitently, she crouched down and retrieved the ball. ‘Please blame this on Zain. Please!’

There was the sound of footsteps and Inaya spun around.

‘What are we blaming on Zain, Inaya?’ asked her father, Irfan, as he strode in, followed at a more sedate pace by her grandparents. Inaya gulped and looked at them sheepishly. The trio surveyed the scene in silence. Inaya clutched the ball behind her back, hoping they wouldn’t notice the smashed photo frame.

Inaya’s grandmother straightened the painting that had tilted leftwards with the ball’s impact. ‘If you don’t like your grandfather’s paintings, you should just tell him so, Inaya. As I do,’ said Humaira. ‘Why go to all the trouble of taking potshots at them through windows?’

‘But I do like Daada’s paintings—that was an accident,’ muttered Inaya.

Inaya’s father retrieved the photograph that was on the floor. He carefully removed the fragments of glass and propped the photograph against the ballerina on the mantelpiece.

‘Inaya, look at your great-grandmother—she was . . . the epitome of grace. She would be appalled by all this,’ he said, gesturing at the destruction that lay before him. ‘There’s more to life than cricket, you know.’