Back Across the Line Save as PDF
Contents (65)
  1. NAYANIKA MAHTANI
  2. Contents
  3. Advance Praise for the Book
  4. 1947
  5. Drawing the Line
  6. Paper Boats
  7. Zero Hour
  8. The Referee
  9. Musaafir Khaana
  10. As if Nothing Had Happened
  11. No Man’s Land
  12. 2008
  13. Of Mice and Men
  14. There’s More to Life than Cricket
  15. Poster Girl
  16. Recess
  17. Talking in Riddles
  18. Blue-Black Nothings
  19. Selection Day
  20. We’ve Got News
  21. ‘That Voice’
  22. Winging It
  23. The Unspoken Code
  24. Mind the Gap
  25. Dragon Breath
  26. Nabeel’s Kitchen
  27. Sumo Wrestling
  28. War of the Roses
  29. Too Much to Digest
  30. Alphonso Season
  31. Glorious Uncertainties
  32. Stalkers
  33. Empty-handed
  34. The Bridge
  35. The High Road
  36. Houseful
  37. Acrylics and Oils
  38. Rukhsana
  39. Rahmat Bibi
  40. Threads
  41. Too Familiar
  42. Fireflies
  43. Four’s Company
  44. Howzat?
  45. The Little Green Dot
  46. Touching Distance
  47. Filter Coffee
  48. Deadlock
  49. Unforgotten
  50. The Envelope
  51. Highway Robbers
  52. Travel Companions
  53. Unseen
  54. 2012
  55. Pitching It Right
  56. Epilogue
  57. What Did I Miss?
  58. Erasure
  59. Author’s Note
  60. Bibliography
  61. Acknowledgements
  62. Read more in Penguin
  63. Read more in Penguin
  64. Read more in Penguin
  65. THE BEGINNING

A few paces behind them, Inaya quietly sidled up to Humaira and held her hand. She looked around her and saw people in deep meditation, some on a prayer mat facing Mecca, others chanting Vedic scriptures, turbaned Sikhs in silent contemplation.

‘Do you think Allah is here Daadi, along with all the other gods that these people are praying to?’ she asked.

Humaira looked at her granddaughter’s earnest face searching for answers.

‘I don’t know, my kishmish. I have never seen Allah. I don’t know if anyone has seen their gods. But Gharib Nawaz reaches the divine without any of these imaginary boundaries. He will make sure that Habib is in good hands,’ she replied, with moist eyes. ‘And Toshi Aapa too.’

Inaya tightened her clutch around the little pebble in her pocket and swallowed the lump in her throat.

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2012

‘I’ve tried to become someone
else for a while, only to discover
that he, too, was me.’

—Stephen Dunn,, Here and Now: Poems

Pitching It Right

In a leafy gully in Rawalpindi, where a young girl once played pithoo with her brother, another young girl played tape-ball cricket, sixty-odd years later.

The month she turned nineteen, Inaya Haider made her debut in Pakistan’s women’s cricket team, opening their batting. Watching his daughter walk out on to the pitch, Irfan fought back his tears of joy. Standing beside him, Humaira wept copiously.

In that very match, Inaya scored her maiden fifty. As the stadium erupted into thunderous applause, Inaya reached into her pocket, took out an olive green oval pebble, held it in her outstretched arm and gave the sky a huge smile. From behind the clouds, she could almost see her mother and grandfather smile back at her.

Meanwhile, eighteen-year-old Jai Puri started an online cooking channel, which he named ‘Toshi’s Kitchen’. It gained quite a fan following and was even endorsed by Nabeel Said, thanks to a little help from Inaya.

Despite his apathy for cricket, Jai now knows a thing or two about the game, never misses a single match that Inaya plays in—and wildly cheers her on.

However, if it is an India-Pakistan match, things are different. Then Jai roots for India. And after the match, Inaya and he have heated debates about which team deserved to win.

It is full-blown war. However, it always abides by the spirit of the sport.

After all, the sports pitch is perhaps the only place where this war should happen. Between the two nations, across the line.

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Epilogue

‘We leave something of ourselves behind when we leave a place. We stay there, even though we go away. And there are things in us that we can find again only by going back.’

—Pascal Mercier,, Night Train to Lisbon

What Did I Miss?

1966
London, United Kingdom

Boasting original ownership by Napolean III’s favourite chef, the Gaslight was the place to be seen at, in London’s 1960s. Which, of course, was why Antonia Radcliffe had chosen the restaurant for the luncheon with Claire and Pauline. To which, she would, of course, arrive fashionably late.