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Contents ( 65)
  1. NAYANIKA MAHTANI
  2. Contents
  3. Advance Praise for the Book
  4. 1947
  5. Drawing the Line
  6. Paper Boats
  7. Zero Hour
  8. The Referee
  9. Musaafir Khaana
  10. As if Nothing Had Happened
  11. No Man’s Land
  12. 2008
  13. Of Mice and Men
  14. There’s More to Life than Cricket
  15. Poster Girl
  16. Recess
  17. Talking in Riddles
  18. Blue-Black Nothings
  19. Selection Day
  20. We’ve Got News
  21. ‘That Voice’
  22. Winging It
  23. The Unspoken Code
  24. Mind the Gap
  25. Dragon Breath
  26. Nabeel’s Kitchen
  27. Sumo Wrestling
  28. War of the Roses
  29. Too Much to Digest
  30. Alphonso Season
  31. Glorious Uncertainties
  32. Stalkers
  33. Empty-handed
  34. The Bridge
  35. The High Road
  36. Houseful
  37. Acrylics and Oils
  38. Rukhsana
  39. Rahmat Bibi
  40. Threads
  41. Too Familiar
  42. Fireflies
  43. Four’s Company
  44. Howzat?
  45. The Little Green Dot
  46. Touching Distance
  47. Filter Coffee
  48. Deadlock
  49. Unforgotten
  50. The Envelope
  51. Highway Robbers
  52. Travel Companions
  53. Unseen
  54. 2012
  55. Pitching It Right
  56. Epilogue
  57. What Did I Miss?
  58. Erasure
  59. Author’s Note
  60. Bibliography
  61. Acknowledgements
  62. Read more in Penguin
  63. Read more in Penguin
  64. Read more in Penguin
  65. THE BEGINNING

One afternoon, I selected a book and handed it to my grandfather. He looked at it, hesitated ever so slightly, and then announced its name Phundne, which meant ‘tassels’, he said. He told me it was a collection of short stories by Saadat Hasan Manto—and the story he chose to read to me was called Toba Tek Singh.

By way of backdrop, my grandfather explained that this story was set in a lunatic asylum, a few years after the Partition. It began with the governments of Pakistan and India having decided to swap their lunatics along religious lines, just as they had done with the rest of their people—so that all Hindus, Sikhs and Muslims ended up on the ‘right’ side of the border. I remember thinking this a rather silly plotline, but there was little else to do, so I listened. Manto’s dark satire as to who then were the real lunatics was lost on me, of course.

I can still recall my grandfather’s voice, assuming different intonations as he read. He had me in splits as he muttered the well-known rant of the story’s protagonist: ‘Upar di gur gur di annexe di be dhiyana di mung di daal of di Pakistan and Hindustan of di durr phitey munh.’ I had no clue of its context, but it sounded nonsensically amusing. Between peals of laughter, I looked up to notice that my grandfather had stopped reading. He sat slumped forward, his hands covering his face, his shoulders convulsing as he sobbed.

I had never seen my grandfather cry before—or ever after—but that day, my otherwise fearless grandfather, who had braved lathi charges and prison in the fight for independence, wept. At a loss for what to do, I went to call my grandmother. In stunned silence, I watched her comforting him as if he were a little child, murmuring ‘Chhado, mitti pao’—let it go, bury it. And then I quietly left the room. Later that evening, I remember hiding that book behind all his other books, so I would never happen to take it out again. And never have to see my grandfather cry.

What I didn’t do was ever ask him what caused those tears. The regret still leaves me feeling empty.

As the years went by, my grandparents shared countless anecdotes about their early days in undivided India. The pranks they would get up to with their friends at school and the trouble it got them into with their teachers and parents. The uncooked legs of lamb that they would sneak into the kitchen garden to be slow-roasted overnight in the tandoor pit, without my strictly vegetarian great-grandmother’s knowledge. The street plays they would stage to protest against British rule. Their stories were peppered with fond anecdotes of their neighbours—Hindus, Muslims, Sikhs, Parsis—who had lived next door for generations. I would listen, enraptured, piecing together the fragments in my head, imagining the people and places that once made up their world.

Yet, what they never spoke about was the events surrounding the Partition itself. Perhaps it was just too painful to reopen the wounds. Perhaps, as refugees, grief was a luxury they could ill afford. Or perhaps, gaining independence had demanded centre stage instead. I sometimes wonder, on each Independence Day, did they also quietly mourn who and what they’d lost in the aftermath?