Back Across the Line Save as PDF
Contents ( 65)
  1. NAYANIKA MAHTANI
  2. Contents
  3. Advance Praise for the Book
  4. 1947
  5. Drawing the Line
  6. Paper Boats
  7. Zero Hour
  8. The Referee
  9. Musaafir Khaana
  10. As if Nothing Had Happened
  11. No Man’s Land
  12. 2008
  13. Of Mice and Men
  14. There’s More to Life than Cricket
  15. Poster Girl
  16. Recess
  17. Talking in Riddles
  18. Blue-Black Nothings
  19. Selection Day
  20. We’ve Got News
  21. ‘That Voice’
  22. Winging It
  23. The Unspoken Code
  24. Mind the Gap
  25. Dragon Breath
  26. Nabeel’s Kitchen
  27. Sumo Wrestling
  28. War of the Roses
  29. Too Much to Digest
  30. Alphonso Season
  31. Glorious Uncertainties
  32. Stalkers
  33. Empty-handed
  34. The Bridge
  35. The High Road
  36. Houseful
  37. Acrylics and Oils
  38. Rukhsana
  39. Rahmat Bibi
  40. Threads
  41. Too Familiar
  42. Fireflies
  43. Four’s Company
  44. Howzat?
  45. The Little Green Dot
  46. Touching Distance
  47. Filter Coffee
  48. Deadlock
  49. Unforgotten
  50. The Envelope
  51. Highway Robbers
  52. Travel Companions
  53. Unseen
  54. 2012
  55. Pitching It Right
  56. Epilogue
  57. What Did I Miss?
  58. Erasure
  59. Author’s Note
  60. Bibliography
  61. Acknowledgements
  62. Read more in Penguin
  63. Read more in Penguin
  64. Read more in Penguin
  65. THE BEGINNING

Ever so discreetly, Claire pushed the newspaper closer to Antonia’s chair, so that she might happen to spot it.

Erasure

1966
London, United Kingdom

The man looked up from the maps he had been poring over. His hands were clammy, partly from the heat but mostly from the enormity of the task he had been assigned. He mopped the sweat off his brow. Then, Cyril Radcliffe picked up his pen, drew a deep breath—and started to write.

Dear Dickie,

I regret to inform you that I cannot draw this line—especially not in the manner and time frame that you have asked. My conscience will not allow it. Not even for Crown or country. Because, before all else, I am answerable to myself.

Yours truly,

Cyril Radcliffe

He set the pen down. There. The deed was done.

He felt lighter. Afloat almost.

‘Cyril, it’s time for supper,’ said Antonia, as she gently shook him awake.

Radcliffe opened his eyes, now almost completely clouded with cataracts, to see his wife standing next to his armchair. He sat up with a start.

‘Is everything all right, dear?’ Antonia asked.

Radcliffe nodded absently. He slowly stood up and shuffled to the window.

The sun was setting. There was nothing half-hearted about the autumn. A luminous sapphire sky framed a canopy of scarlet leaves. Radcliffe watched a solitary leaf languidly drift and finally settle on the ground, adding to the burgundy patchwork quilt that covered the earth. It would be winter soon. Followed by spring. The colours of nature erasing what was written before.

Cyril Radcliffe stood at the window, looking out into the fading light of dusk.

If only all lines could be erased.

If only.

Author’s Note

This book probably started writing itself many years ago, owing to an unspoken conversation. One that I wish I’d had but didn’t.

I was about ten years old, and as we always did over the school holidays, my parents, my brother and I journeyed from Kolkata to my grandparents’ farm in a little village in north India. At the time, I didn’t know that my grandparents had spent their childhood and youth in Rawalpindi, Lahore and Sargodha. I didn’t know that they had arrived in New Delhi as refugees in 1947, alongside millions of others, with just the clothes on their back, having lost loved ones in an upheaval so deeply traumatic that it never found mention in our conversations. Except, perhaps, that one time—had I stayed and spoken.

Afternoons at the farm were sweltering—too hot for tractor rides or skimming stones on the canal or splashing around in the tube well, which is what my brother and I would usually spend the rest of the day doing. So, our afternoon ritual was to laze around on the divan in my grandfather’s study, with the bamboo blinds lowered and the air-cooler blowing khus-khus scented breeze our way. Some days, my grandfather would ask us to select a book from his huge collection of Urdu novels and poetry, and then he would read to us. Having grown up in Rawalpindi, he was fluent in Urdu but couldn’t read Hindi. I couldn’t read Urdu
but could understand it enough to get by, so this arrangement worked pretty well for me; although, my brother, who was younger, would usually wander off to play with our cook’s son instead.