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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘You do, though. I’m fighting. You might not see it. I’m trying to make Marcus see that it’s not my job to be in charge of every damn thing.’ Erica sags. ‘But you’re right. I’ve never been on a march.’

‘Would you like to?’

Leonie will never forgive her – from wherever she is now, the place where Vee will be before long – if she doesn’t show Erica what she’s missed.

*

Marcus has brought flowers home: a bouquet of roses and gypsophila, red blooms against a gauzy white background, wrapped in brown paper; Erica panics for a second, not knowing why, and then remembers how her mother thought that red and white flowers together were unlucky. It’s a good thing she isn’t superstitious. Even if she does feel as though she’s been ambushed by Ursula’s ghost, shaking her head in the corner. Marcus brought flowers, though. Erica feels something in her unlace, so that she can breathe a little more easily.

‘Thank you.’ She pushes her nose into them, even though she knows that, at this time of year, hothouse roses will smell of nothing much.

‘How did it go today?’

Lovelier than the flowers is the fact that Marcus remembered Vee was coming today; they’d barely spoken this morning, and he was home late and drunk last night after a work night out, so he slept in the spare room so as not to disturb her. That’s what he said, anyway. When did she start looking for other motives in kindness? ‘She can be a bit . . .’ she considers ‘. . . sharp. Unpredictable. But today was useful. I think.’ Every time she spends time with Vee, she is left with more things to think about. That’s good though. It gives her more choices when it comes to creating the story she will tell at the exhibition. With eight weeks until the opening, and less than six weeks until everything needs to be signed off, she needs to start firming her thoughts up. She’ll book Marcus’s mum for a couple of days next week. (Why, even in her own head, does she never call her Sarah? And why does she never ask Marcus’s father to help with childcare? He’s retired too.)

‘That’s really good.’ Marcus tousles her hair, and she tries not think of a dog who came straight back when called. ‘Where’s Tom?’