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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Every morning she gets up and is determined to make an effort. And every day something like this happens, and she’s sniping and carping. Sometimes it doesn’t happen at breakfast, but at dinner, and she’s started to count those days as wins. She has no idea when it changed. When Tom was born, they were joyful, delighted, united.

Marcus sighs, ‘Maybe we made the wrong call, with you doing this exhibition. It’s such a lot of work. And not a lot of money.’

‘It’s important to me,’ Erica says. She’s thirty-eight; if she ever wants to be more than a part-time, associate university lecturer she needs to start making a name, building a reputation that’s more than ‘turns up on time and does what she is contracted to do’. Consultancy on the occasional TV series is fun, and well paid, but confirming that the right sort of pans are being used and checking the Bakelite is the correct colour is hardly a stretch.

When she finished her PhD, she had such plans. And then she met Marcus. And then her mother became more ill. So now she teaches six hours per week during term time, delivering the modules on domestic changes that she taught before she had Tom. She really doesn’t think she was forced or coerced into any of it. And yet.

She had wondered, for a while, if that would be her lot. But then she’d found the box of papers and photographs in her mother’s loft, and started to see another side of her Aunt Leonie: the one who was a living feminist, way ahead of her time, rather than a woman whose death was more important than any other part of her story. When she put together Veronica Moon’s work with Leonie Barratt’s story, she knew she had a real chance to have the career she deserved, and rescue two women from obscurity as she did it. Acceptance of her exhibition proposal, and the funding to go with it, felt like a triumph. ‘It’s really important to me.’

‘I know. And I’m supporting you, aren’t I?’

‘Yes, you are.’ She hears how tired she is. This isn’t the time to try to explain – again – why this grudging sharing doesn’t feel like support. Marcus is checking his watch. If he misses his train then she’ll have to give him a lift to Kingston so he can get a fast one. Erica washes Tom’s face while he is still in the highchair. There’s Weetabix on her coat, which she’d left within range. Great.