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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Vee lasted for a week after being taken ill at the exhibition opening. Erica saw her the day before she died. Vee was in bed, at home, a nurse within earshot. Though Erica had known that she was ill, she wasn’t ready for her to be so still, lying tucked under a duvet even though the room was warm, her face a dying grey against the white bedlinen. She’d brought the reviews of the exhibition to show Vee, though she could have recited most of them. ‘A thought-provoking triumph’, ‘a must-see for anyone who cares about the past – and the future – of feminism’. She still couldn’t believe it. She’d spent a week doing three things: reading reviews, checking to see how Vee was doing, and looking at the contact sheets of her and Tom, and her and Leonie, and trying to make up her mind that Leonie truly was her birth mother. It had seemed certain, on the night of the exhibition opening; as the days passed, it began to look like more of a stretch of imagination. She’s checked her birth certificate, even ordered another copy just to be sure. Marcus said her mother was the one who raised her. She knew she shouldn’t even entertain the thought of Leonie as a mother. She’s an academic. There was no real evidence. Vee, with her missing memories and her dying brain, was not a reliable witness. And yet, she had not been able to leave the idea alone.

‘It’s Erica,’ she said, taking Vee’s hand.

Vee opened one eye, slowly, then the other, turned her head on the pillow, smiled. There was pain, and effort, in the movement; Erica felt an answering ache in her heart, knew it was grief, waiting. She wasn’t ready to lose Vee. She had barely found her.

‘Do you need anything?’

There was a fraction of a shake. ‘My sight’s starting to go,’ Vee said, as though it was an answer: if I can’t see, everything is irrelevant, unwanted.

‘Oh.’ Tears in Erica’s throat stopped her from saying more. And if Vee wasn’t crying, she shouldn’t be. She wouldn’t ask Vee for anything: not comfort, not answers.

Vee nodded, another tiny movement. ‘I’m leaving you my papers. I didn’t go through them. Leonie used to send me her writing, though. I never threw it away.’

Erica squeezed Vee’s hand, and got out a ‘Thank you’, even though she was almost mute with misery. Ursula’s deathbed had been like this, too: not so lucid, not so serene, but every bit as impossible to endure.

Vee closed her eyes. ‘Thank you. I didn’t think I cared that I was forgotten. But I did.’

And then she seemed to sleep. Erica sat with her until the nurse came quietly up the stairs and touched her on the shoulder, dismissing her.