Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘Quite right,’ Bea says, ‘you tell her.’ Leonie and Bea grin and Fen gets up, returning a few minutes later with four pints of cider. By then Leonie’s told her about the magazines she writes for, the stories that are coming up, the groups that are forming and the way that women are starting to make change happen for themselves, to organise, and Vee feels a fizz inside, something more than the martini and the cider she’s adding to it.

Fen and Bea leave after the second round; Vee and Leonie stay for another. As Bea and Leonie arrange to meet up later, they kiss, lip to lip, Bea’s hand, briefly, on Leonie’s throat.

‘You can stop staring,’ Leonie says.

‘Sorry,’ Vee says, and the cider, helpfully, adds, ‘it’s just that I’ve never met lesbians before. I think you’re my first lesbians.’

Leonie laughs, ‘I doubt it,’ she says, ‘and anyway, I’m not a lesbian. I just go with women some of the time. The rest of the time, I go with men. But, on behalf of the lesbians, hello.’ And Leonie leans forward and kisses Vee on the mouth. There’s a chorus of whistling from the journalists at the bar; Leonie gives them a V-sign and they laugh. Vee doesn’t know which is worse: the kiss, the odd soft buzz of it, or the feeling of being drunk, or the centre-of-attention discomfort that having a camera usually protects her from.

‘I’ve got a fiancé,’ she says, ‘we’ve been going steady since we were fifteen.’ Because one thing she is certain of: you can flirt (whatever Leonie says), but you don’t want to be a tease. And that must apply to lesbians too.

‘Good for you,’ Leonie says, with a smile Vee doesn’t really like. One of the crowd at the bar brings two more pints over. Leonie tells him to sod off, and he responds by telling her to sod off herself. From this, Vee gathers that they know each other. One of the strangest things about working at the paper is how rude everyone is to each other. Vee’s dad is a great believer in good manners and the result of this, for Vee, is that she spends most of her working life being either mocked for her politeness or shocked into silence by the casual, inconsequential rudeness of her colleagues. She cannot imagine what would provoke her father into telling anyone to ‘sod off’. And if he knew she was in a pub, talking to someone who uses the word ‘prick’ in public, he would not be happy.

‘He wants us to get married next year,’ Vee adds.