Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Vee holds her gaze. She’s impressed by this woman – the unapologetic way she goes about what she sees as her business, her bravado – but she’s fought for her career, such as it is, and before that she fought for her place on a photography course where she was the only woman. ‘So what do I do? What you tell me?’

Bea laughs, a wet splutter. ‘She’s got you there, Leonie.’ Then, to Vee, ‘You need to keep her in her place. Stand up for yourself. It’s not just the men who are the oppressors.’

Leonie has the grace to laugh too, and then she looks at Bea, slides her hand under the table and squeezes her thigh. Vee feels herself blush as she realises what she’s seeing. It took her a moment to recognise flirting out of its usual context. And then Leonie turns back to her, ‘I didn’t mean to sound patronising. What I was trying to say was that women have learned to get what they want from men by wheedling around them. But actually, we have the right to ask.’

Vee nods. ‘It’s easier, though. Ain’t it?’

‘It’s easier to work for seventy per cent of what men get paid than to strike,’ Leonie counters, ‘but if we’re satisfied with that – we’re never going to get anywhere, are we?’

‘No,’ Vee agrees, and then she thinks about her dad, how he would order a drink at the bar for a woman if those were the rules, ‘but those blokes just wanted to help us out, didn’t they?’ She’s drinking too quickly, and she didn’t have breakfast. The alcohol is going straight to her head. She feels as though this is an important conversation, but she can’t hold on to the threads of it for long enough to work out why. It relates to the feeling she had, earlier, photographing the women on the picket line; that there’s something else going on in the world, that she has a job greater than trying to be taken seriously.

Someone-beginning-with-F is tittering, saying something to Bea in a voice too low for Vee to catch. Leonie hears it, though. ‘Shut it, Fen. Everyone needs to learn. It’s hard to see how pervasive the patriarchy is when you’ve grown up in it.’

‘I’m not Eliza Doolittle, you know,’ Vee says. She wants to say, ‘I’m not sodding Eliza Doolittle’, but her dad doesn’t like her swearing. And though that’s probably patriarchist (that might not be the word, Vee thinks) of him, she loves him, and he’s all she’s got, apart from Barry. He might not be exactly on board with women’s lib but he’s always been on her side, always taught her things she wanted to know and encouraged her to follow her career.