Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Leonie stands up straighter. She’s not that tall, but she seems it, and she knows how to take up space. She looks the barman in the eye, and says, ‘It seems that a prick’s a prick wherever you go.’

Vee hears her own intake of breath, and sees that Bea and someone-beginning-with-F have stopped talking and are getting to their feet, coming over to the bar. This could go either way. Vee has seen it before. She and Barry sometimes go for a bar meal at the King’s Arms on a Friday night. If an argument starts, it can either flare to fists or diffuse into laughter. She doesn’t think there’d be a fight here – men who won’t serve women in a bar aren’t going to hit them, not in public at least – but it’s not comfortable. So she catches the eye of the man who offered to buy their drinks, and smiles at him again. He laughs. The fine thin membrane of tension dissolves, and it’s an ordinary lunchtime once more. Ordinary if you go to the pub for lunch every day, anyway.

‘All right, then,’ says the barman. ‘Quick. What do you want?’

Leonie looks at Vee, a question. ‘Sweet martini and lemonade, please.’

‘Really?’

‘Yes. I like it.’ At least Barry and her dad don’t tell her what to drink.

‘Suit yourself.’ Leonie turns to the barman. ‘Sweet martini and lemonade, and three pints of cider. Please.’

The barman’s hand hesitates over the pint glasses, but he thinks better of saying whatever he might have said, and pulls the pints.

‘There you go, ladies.’

‘Thank you,’ Vee says.

At the same time, Leonie answers, ‘We’re not ladies, we’re women, but I really don’t have the time to go into that now.’

When they get to their table and sit, Vee is more relieved than she would think it was possible to be, perched on a wobbly stool in a dingy pub with three strident women she barely knows. Then a gaggle of men arrives and fills the place with smoke and swearing, and attention moves away from the women. Vee feels herself exhale, long and slow, as though she’s just got away with something, though she honestly couldn’t say what.

From the way that some of the men greet Leonie and the others, and from their not-from-round-here accents, Vee gathers that they must be journalists covering the strike. Covering the strike too, she tells herself. She is a professional photographer and she got a great shot back there. Come on, Vee.

The others drink without comment; this must be normal for them. Leonie turns to Vee, and says, ‘You shouldn’t flirt men into buying drinks for you. You shouldn’t appease them when they’re being pricks like that. It doesn’t help any of us, in the long run.’