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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘I don’t know.’ Vee is flooded with something. It’s definitely not need; she has never wanted a child. This feeling is more a spinning sense of the magnitude of all she has so casually declined. No relationship, and therefore no child, because she has photographs to take. And here she is: photographing the Prime Minister, known and respected in her industry, working to support her sisters, going home alone, and not minding. Society wants her to think that she is lonely, but she isn’t. She’s solitary. She’s an observer. She’s stepping outside the assumptions that the patriarchy makes about what women need. It’s not the same as being lonely.

Best to point the lens away from this. ‘You’d give me your child? Really?’

‘Isn’t it better to decide myself where it should go? Instead of leaving it on a hospital step?’ Leonie indicates her belly, which Vee can see now is a different shape, even under her friend’s shapeless, too-big top, the fat that she seems to have deliberately cultivated, over the years, to make a point.

‘Leonie. Those are not the choices! Adoption agencies would match—’

Leonie starts to laugh, a great shaking sound: ‘Your face. I’m not an idiot. I have heard of adoption agencies. I’ll give it to one of them. They can sort it out.’ Leonie sighs, and looks straight into Vee’s eyes for the first time since she told her she was pregnant. Her gaze has been not quite direct, up until then. ‘I just didn’t want it to go to a complete fucking idiot.’

Tread gently, Vee. ‘You do care then? A bit?’

‘I care about the world. And the world doesn’t need another kid brought up to be an entitled patriarchal idiot. I should be able to stop that from happening. If I can find a non-entitled, non-patriarchal, non-idiot.’

‘I can see the sense in that.’ But, as far as Vee can tell, Leonie thinks most of the people on the planet are in thrall to the patriarchy. And she must feel something for this baby. There might be no such thing as maternity, but surely there is human-ness?

‘You really don’t fancy it?’

‘No.’ Vee is sure of herself this time. ‘No, I definitely don’t. But I’m glad you don’t think I’m a tool of the patriarchy.’

‘Not all of the time. Do you want another drink?’ Leonie hauls herself to standing.

Vee can leave dropping off the films until tomorrow. Leonie needs her more. When her friend comes back from the bar – more crisps, more cider – she asks, ‘Did you ever read Fear of Flying?’