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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Leonie sighs. ‘Tell me about Thatcher. If it really is funny. I could do with a laugh. Then I’ll tell you my news.’

‘Are you sure?’ Leonie doesn’t usually opt to go second, either. But she nods, and picks up the sausage roll.

‘We were on Parliament Hill. They chose the location. Good light, but it’s windy up there this morning. And Thatcher was – well, like a lot of these people—’ Leonie raises an eyebrow. ‘Famous people. Polite, but a bit distant. They’ve had their photo taken a lot and they just want to get it over with. Anyway, I started taking photos, but she was worried about her hair, kept putting her hand up to her head.’

Leonie laughs, ‘I’d have thought you’d need a gale to shift it.’

‘I’d already got her to take her hat off.’ Vee had suggested to the Prime Minister that it was going to blow away, so it was a good idea to remove it. But Vee hadn’t wanted it in the shot – it was an ugly thing, a sort of pillbox but a bit too tall. ‘She gave it to one of her security people, and he stood there holding it as though it was a cake.’ Vee holds out her hands in a mime, straightens her spine, and Leonie laughs again. It’s such a pleasure to Vee to hear it. Being with Leonie is still one of the best things in her life. She is like an old cat that scratches and bites, but is worth suffering for the memory of her warmth. Not that she is old. But she seems to be ageing faster than anyone else Vee knows.

‘I thought she might relax after that, but she still looked . . . it wasn’t right. I was shooting but I knew that what I was getting was the same as every other official photograph of her. You know.’

Leonie nods. ‘Constipated headmistress.’

‘Yes,’ Vee says, ‘exactly. And when she smiled it was worse. Constipated headmistress pretending to enjoy a school pantomime.’ Leonie splutters cider. ‘And then the wind caught a bit of her hair – a chunk of it, really, because it was sprayed solid – and she said, “I don’t want to look unkempt.” So I took the scarf you gave me out of my hair—’

‘My scarf?’

‘That’s right. From Dagenham.’ It’s been in Vee’s camera bag ever since then, as much as a part of her kit as her light meter.

‘You still have that?’

Vee nods. ‘Of course,’ she says, ‘I use it to keep my hair off my face when it’s windy.’

‘Are you going to tell me you gave it to Thatcher?’ Leonie’s smile is getting wider by the second.