Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

He feels like he’s going to explode some days. He stares out the front of the practice. The windows of the reception are steamed up, the relentless summer rain marking them on the outside like a thousand fingers tracing their way down the glass.

He’s got to get out, get out into the rain and away from the oppressive anaesthetic smells, the dim lights. He wrenches open the door and gets in his car.

He leans his head on the steering wheel, which feels cool and waxy. God, he wishes he could call Lydia.

He dials Cathy’s number instead. Lydia won’t speak to him until she’s ready, he knows it. ‘I need to see you. Now.’

‘Now? Joe, I’m in bed.’

Joe checks his watch. ‘It’s eight o’clock.’

Cathy doesn’t dignify that response with an answer.

‘When can you see me?’ he says.

‘What’s happened?’

‘I need to speak to you.’

He hears her say something, muffled beyond the reaches of his phone, and he frowns. ‘Is someone there?’

‘No,’ Cathy says. A beat. And then, her voice wet: ‘Joe.’

‘What?’

‘Don’t make me come.’

‘Evan is going to blackmail us.’

The pause stretches so long Joe pulls the phone away from his ear to check the call hasn’t disconnected. And then, her voice imbued with something heavy, like a raincloud ready to burst, Cathy says: ‘I’ll come now.’

‘Go to Frannie’s,’ he says, though it hardly needs saying. ‘She needs to be there too.’

‘We need to do something about Evan,’ Joe says dispassionately. ‘He’s just threatened me.’ They’re sitting in a row by Frannie’s back doors. He’s looking out on to her wild garden. Mint is currently ravaging it, entwined around buddleia bushes and lavender. She doesn’t care.

The windows are giant, floor to ceiling, covering the entire back wall. Joe, Cathy and Frannie are fish in a bowl, looking out.

‘What?’ Frannie says, and Joe irrationally thinks, for just a second, that she is about to faint. Her hands are up by her face. Her waist is minuscule, her striped t-shirt tucked into jeans.

And then she laughs, a hard, sardonic laugh, a bitter laugh. It is so un-Frannie. ‘This could not really be going any worse, could it?’

‘It isn’t funny,’ Joe says.

‘I’m not seriously fucking pissing myself,’ Frannie says, drawing her arms around her waist and looking levelly at him. ‘So keep your sanctimonious lines to yourself. This isn’t a TV show.’ She opens a bottle of his merlot – still bought for him, every fucking week – not looking at him. Their sacred ritual, now tainted too.

‘What is up with you?’ he says to her, but she turns away from him, refusing to answer. ‘Evan is going to tell,’ he says.

‘What does he want?’ Cathy says. Her face is drawn, like she hasn’t slept or has a virus. Dry lips, eyes downcast, rings underneath her eyes. Joe wonders briefly what’s up with her, but he can’t ask. They each hold so much power. He doesn’t feel it with Frannie, but he does with Cathy. If any of them annoys the other, crosses a line … any one of them could end it.