Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

‘No,’ Joe says, after three fake seconds’ thought.

‘What have you done – in beautiful Verona?’ Matt says conversationally.

‘Oh, you know. Relaxing by the pool in the villa, and in town,’ Joe says truthfully. It is nice to tell the truth, the same feeling as playing a trump card. See, it says. I’m not always a liar. He shakes his head. He’s got to get out of the mind-set that Matt knows him to be lying. He doesn’t. This is so routine to Matt. One interview of many. Joe doesn’t tell him about the bar. The first night. He will say it didn’t seem relevant if they ever find out. God, he can’t believe Frannie has put him in this position. That his past indiscretions against pricks with Vespa helmets might loom large.

‘What have you been doing over the past, say, twelve hours?’ Matt says. ‘Sightseeing? Drinking?’

‘We had a –’

‘You were out early-ish? This morning? Eleven?’

‘I …’ Joe hesitates.

‘I knocked,’ Matt says, looking Joe directly in the eye. ‘Early this morning.’

Joe puffs air into his cheeks. Matt won’t let him finish. ‘Yes,’ he says loudly. He takes a breath and speaks more quietly. ‘I was – I was taking the car back.’ He can’t lie. There’ll be cameras at the hire-car place, paperwork.

This is the sticky bit. He just wasn’t sure it would come up. Or wouldn’t come up so soon anyway.

‘Yes,’ Matt says, still staring at him. ‘And you are off home soon?’

‘The day after tomorrow. Avoid the queues.’

‘The queues right next to the airport,’ Matt says lightly. He very deliberately puts the pen down and looks at Joe. His eyebrows are drawn together, quizzical rather than suspicious. Joe is no good at this, can’t tell if Matt’s bluffing or genuinely confused. Cathy would know. Joe always says exactly what he thinks, and can’t read people who don’t.

The late-afternoon sun slants in through the window. Joe turns his face to it, trying to look unconcerned. It could be a musty police station in the UK. The signs are in Italian and the coffee – not offered to him, grazie – smells better, but that’s all.

‘Yes, by the airport,’ Joe says, looking back at Matt. ‘But isn’t it always better to get those things out of the way? Save some money – we didn’t need it for the last few days?’

‘So you would then get a taxi to the airport later?’ Matt says. His tone is neutral, his face impassive, but his words are incisive, like a firm, gripping handshake that won’t let go. Joe is drowning in these logical words. Of course he wouldn’t have taken the hire car back ordinarily.

‘Exactly,’ Joe says.

‘To save money?’ the prosecutor says with a wry smile.

‘Yes.’

‘And so last night, before you took the car back?’ Matt says. He upends the pen again.

Joe tries to turn his mind to the story he agreed with Frannie, but he’s no good under pressure. It’s why he prefers surgery to consulting. Surgery, for him, is stress-free. The patient unconscious, not looking at him, no expectant owners. He is alone. He is the hero, the father-figure, the God.