Back That Night Save as PDF
Contents (166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

6.

Joe

Joe’s shoulders feel like they’re made of metal, not bone and sinew. He rolls them, trying to relax. ‘We need to think clearly.’

The man was a horrible bloke, according to Frannie. Besides, she didn’t mean to hurt him. It was an accident. A terrible coincidence. This is the hand they’ve been dealt, and now they need to play the cards. ‘We need to think about the evidence,’ he says, staring at the ground. ‘What gets rid of blood?’

‘Fire,’ Cathy says immediately.

‘Fire,’ Joe repeats, nodding slowly. ‘Okay.’ He looks left and right down the track road. It serves only their villa and two others. The site used to be a convent and was converted to villas in the fifties. The private road is supposed to be maintained by the three villas, though they don’t do enough. The grass is scorched yellow, the road not even tarmacked, just hardened mud, cooked by the Italian sun. Joe’s only ever seen cars come down it when they’re lost. Joe briefly wonders why a stranger was walking down this road, alone, in the night …

‘We need to deal with the body first,’ Cathy says. She gets to her feet, hesitating just slightly, then walks on.

Their villa is surrounded by fields, with woods lying beyond. They bought it five years ago on – embarrassingly – a whim. Frannie had been fantasy Rightmoving, as she called it, and the villa had popped up. It was old, shabby and going cheap. What began as a joke became a full conversation, then a budget scribbled on the back of a receipt, then a loan, secured against their business. That first summer they came out here, they couldn’t believe they’d done it. They had thirty bookings for the rest of the year, and they’d paid off twenty per cent of the mortgage already. When they got the statement, they opened a bottle of wine at Frannie’s. She’d raised a glass and said, ‘To not doing things like other people.’

‘There are shovels in the outhouse,’ Joe says quietly. They all pause for just a second in the darkness. They were in there earlier today, preparing for a barbecue. The sun on the backs of their necks. ‘We could … use the woods.’

‘We don’t own the woods,’ Cathy says. She pulls back her dark hair from her face, looking at him intently. She is trying to communicate something, he thinks, but isn’t sure what.

‘But they’re deserted. And the soil is soft,’ he says. Are they really having this conversation? Everything is upside down and unreal, like the sky is suddenly underneath them and the earth above. Joe shakes his head, trying to clear it. He thinks instead of Paul, who just yesterday over the dinner table very seriously handed him a speck of fluff so small Joe had to squint to see it. His resolve strengthens. Paul doesn’t deserve this. He doesn’t deserve to pay for his mother’s mistake. He’s so tiny, so innocent.