Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

‘You’ve killed someone,’ Joe screams. Cathy and Frannie sit in shocked silence while his words echo around the Verona countryside.

Cathy looks at her, now that she is close enough to see her properly. She was wrong about the expression. There aren’t any tears, no red nose.

Joe begins fussing with the car, shining his torch light on to it and rubbing at it.

‘I want to go back,’ Frannie says, closing her eyes and looking heavenwards. ‘I want to go back to when it never happened.’ The tears come now, leaking sideways out of each eye. ‘Please let me go back.’ She looks straight upwards, into the navy-blue sky, scattered with stars by God’s careless hand.

‘I can’t,’ Cathy says, her voice hoarse, thinking of little Paul, innocent Paul, who loves cheese sandwiches, Party Rings, and his mother.

They sit in silence for a few seconds.

‘We have to bury his body,’ Frannie says. She wipes at her cheek and leaves another bloodstain across it. It’s crusted and dry. She meets Cathy’s eyes in the gloom. ‘We have to bury the body.’

4.

Now

Jason’s Office, early February, 5.00 p.m.

It’s the coldest February since records began, apparently. It’s late afternoon, in Birmingham city centre. Corporation Street is a white-out, the air dense with a thick winter mist, the pavements frosted, scuffed in places with black footprints.

It’s just before five. Paul will be at nursery until half past, then to Mum and Dad’s, where he will be handed back to me without fanfare, without conversation, since they found it all out.

A tram goes by as I walk up Corporation Street. It’s lined with trees that haven’t had leaves on them for months. The tail end of winter that seems to drag on like a flatline.

I press the buzzer that perfectly fits the shape of my fingertip and soon I’m on the second floor and sitting opposite Jason, who has his legs crossed at the knee. He has made us both tea, which surprised me.

I cradle mine, even though it is burning my hands. Outside his cocooned room with his two electric heaters and his books, I can hear the muted conversation of a colleague of his, and I’m momentarily reminded that this isn’t Jason’s life: it’s only his job, something he leaves in the evenings and doesn’t think about until the next morning. Maybe.

‘How’s your week been?’ he says to me. He has dark hair and a greying beard, like a wolf. He fiddles absent-mindedly with the earring he wears in his left ear. This is how Jason operates. Heavy, professional conversations dressed up casually. He doesn’t believe much in convention. He chews gum in our sessions and makes too many drinks, leaving teaspoons scattered on the desk where his illegal kettle, as he calls it, lives. But his brain is lightning-fast. When I mention small details, his eyes narrow, and, a little while later, I find that we are discussing them again, going in at a new angle that he has orchestrated without my knowing.