Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

‘Why don’t you want to take it?’ Maria asks shrilly.

He ignores her and ducks outside, the dew and rain on the grass soaking through his trainers. ‘Hello?’ he says into the phone.

‘Joe,’ an Italian woman’s voice says.

‘Speaking,’ he says. His heart feels like it’s pumping electricity through his body.

‘It’s Carina, sorry – new number,’ she says. Carina lives a few villas down from them. They know each other to pass the time of day with, to take post in for, but he’s not sure she’s ever called him.

‘How are you fixed for September?’ she asks him.

‘We’re fully booked,’ he says. ‘Why?’

‘Oh – it’s nothing. We have a couple here who wanted to check if their family could join them – spill over into your villa.’

‘Sorry,’ he says, thinking he could do without all bookings, that he wants to fence off his villa forever, and certainly never stay in it again himself. ‘Sorry,’ he adds again, just wanting to get off the phone. Cathy and Frannie will be concerned, sitting inside, pretending everything’s fine when it’s anything but.

‘No worries. You hear about the development?’ Carina says lightly. ‘While I am speaking to you.’

‘What development?’ Joe pulls the hair back from his forehead.

‘The woods behind your villa, at the side of mine,’ she says. ‘They’re finally developing. They got planning permission last week.’

Joe thinks he’s going to faint. ‘Nobody told me,’ he says, like that will undo it, this news that’s landed in his lap from nowhere. ‘Aren’t they supposed to say?’

‘I’m sure the ancient Italian planning system has written you a letter you won’t understand,’ Carina laughs, then rings off. Joe stands there in his parents’ garden, wishing, for just a second, that he didn’t have a mother and a father who had already experienced too much tragedy. He might otherwise reach out to them. He extends an arm into the darkness, imagining somebody could grasp it, somebody who could help him. He stands there for a second, arm outstretched, listening to the rain.

‘What’re you doing?’ Cathy says, emerging in the lit-up doorway, her face concerned. Her eyes travel to his extended arm and her frown deepens.

‘They’re digging up the woods. Development,’ Joe says, aware he isn’t making any sense.

‘What?’

‘They’re going to find it,’ he says, just as Frannie emerges.

A thick silence descends between them.

‘We need to go,’ Joe says.

‘Do you know,’ Cathy says, walking back into the bar, ‘we have to deal with something back at our cottages, sorry,’ she says quickly to their parents, her tone so firm it’s impossible to argue with. ‘We have to … The neighbours have said Macca is barking.’ It’s a thin lie, but it seems to pass, because Cathy never lies. She gets her coat and ushers out Joe and Frannie. Their parents might be speaking, might be saying goodbye, or wondering what’s going on, but Joe is on another planet, reliving and reliving the phone call, wishing he had appreciated last week, yesterday, when things were bad but not this bad.