Back That Night Save as PDF
Contents ( 166)
  1. Gillian McAllister
  2. Contents
  3. About the Author
  4. Prologue
  5. 1.
  6. Cathy
  7. 2.
  8. Joe
  9. 3.
  10. Cathy
  11. 4.
  12. Now
  13. 5.
  14. Then
  15. 6.
  16. Joe
  17. Part I
  18. 7.
  19. Joe
  20. 8.
  21. Now
  22. 9.
  23. Then
  24. 10.
  25. Lydia
  26. 11.
  27. Joe
  28. 12.
  29. Cathy
  30. 13.
  31. Now
  32. 14.
  33. Then
  34. 15.
  35. Cathy
  36. Part II
  37. 16.
  38. Joe
  39. 17.
  40. Now
  41. 18.
  42. Then
  43. 19.
  44. Joe
  45. 20.
  46. Joe
  47. 21.
  48. Now
  49. Part III
  50. 22.
  51. Then
  52. 23.
  53. Cathy
  54. 24.
  55. Joe
  56. 25.
  57. Joe
  58. 26.
  59. Now
  60. 27.
  61. Then
  62. 28.
  63. Lydia
  64. 29.
  65. Joe
  66. 30.
  67. Cathy
  68. 31.
  69. Lydia
  70. 32.
  71. Cathy
  72. 33.
  73. Joe
  74. 34.
  75. Cathy
  76. 35.
  77. Now
  78. 36.
  79. Then
  80. 37.
  81. Joe
  82. 38.
  83. Now
  84. 39.
  85. Then
  86. 40.
  87. Joe
  88. 41.
  89. Now
  90. 42.
  91. Then
  92. 43.
  93. Joe
  94. 44.
  95. Cathy
  96. 45.
  97. Lydia
  98. 46.
  99. Joe
  100. 47.
  101. Cathy
  102. 48.
  103. Now
  104. 49.
  105. Then
  106. Part IV
  107. 50.
  108. Joe
  109. 51.
  110. Cathy
  111. 52.
  112. Now
  113. 53.
  114. Then
  115. Part V
  116. 54.
  117. Joe
  118. 55.
  119. Cathy
  120. Part VI
  121. 56.
  122. Joe
  123. 57.
  124. Cathy
  125. 58.
  126. Now
  127. 59.
  128. Then
  129. 60.
  130. Joe
  131. 61.
  132. Cathy
  133. 62.
  134. Cathy
  135. 63.
  136. Joe
  137. 64.
  138. Cathy
  139. 65.
  140. Joe
  141. 66.
  142. Lydia
  143. 67.
  144. Joe
  145. Part VII
  146. 68.
  147. Joe
  148. 69.
  149. Now
  150. 70.
  151. Then
  152. 71.
  153. Cathy
  154. 72.
  155. Now
  156. 73.
  157. Then
  158. 74.
  159. Now
  160. Epilogue
  161. Acknowledgements
  162. Read more
  163. Read more
  164. Prologue
  165. THIS IS JUST THE BEGINNING
  166. Table of Contents

‘We operated. He’s fine – on cage rest,’ Joe says.

‘The owners won’t adhere to that,’ she says. ‘They’re – you know.’

‘We had to do it,’ Cathy says.

‘I’m not sure I –’

‘Are you retired or still micro-managing?’ Joe says, then immediately regrets it as his mother’s face falls.

‘You all look thoroughly depressed,’ she remarks, instead of answering. ‘Post-holiday blues?’

‘I’m fine,’ he says.

‘Don’t be grumpy,’ she says, while he shifts uncomfortably underneath her gaze.

‘It’s just – we have to explain all our decisions to you. Because you don’t want to work, which I understand. But you still want to be involved,’ Joe says.

‘Sorry,’ his mother says, her voice higher pitched than usual. ‘Forgive me for wanting to know what’s going on in my own business.’ She spreads her arms wide, then drops them. Joe shakes his head in irritation. So totally unreasonable.

‘Forget it.’

‘Tell us more about Verona,’ Maria says. ‘You hear about the man – the missing English guy – while you were there?’

The atmosphere tenses like a muscle. It’s hard to imagine she doesn’t know, or won’t work it out, Joe thinks, as he finishes his beer. She’s their mother.

But what is atmosphere, really? It’s only body language. Nothing more or less specific than that. The molecules of the air don’t change because they know something their parents don’t.

‘Yeah,’ Joe says. ‘You already texted.’

‘I know. Nobody replied to me.’

‘There were a few police around, they did ask us some stuff.’ He darts a look at Frannie. ‘It wasn’t a big thing.’

He sees Cathy shift across the bar from him. She’s looking downwards, at the Labradors, but he knows she heard him. She reaches a hand to grab her Coke. It’s steady.

‘Were they scary?’ Maria says. This is how her mind works: always, always, always to the worst-case scenario. Joe’s had enough, even though on this occasion, her maternal instinct is bang on. Look where they’ve ended up. Solving problems themselves, instead of asking for help.

‘No,’ Joe says testily.

‘Poor bloke,’ Owen says, and the atmosphere immediately descends into sadness. Their parents are thinking about Rosie, but his siblings – Joe is sure – are thinking about William.

Frannie’s gaze is watery as she looks across the room at him and Joe wills her to hold it together.

‘Yeah,’ she says thickly, once the grieving sister, now the perpetrator of another family’s grief. They lapse into what their parents must think is a companionable silence as Joe, Frannie and Cathy sit there, feeling like ghouls, like villains.

Joe feels a buzzing in his pocket and brings his phone out. It’ll be Lydia.

It’s a +39 area code. His whole body goes cold. He stares at it, then holds it up to Cathy to show her. ‘Italy calling,’ he says, his voice strange and hoarse.

‘Do you want me to take it?’ she says immediately.

‘No, I can,’ Joe says. He can feel his parents’ eyes on him.