Back She's Gone Save as PDF
Chapters (95)
  1. Front Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Video #1
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. Six
  12. Seven
  13. Eight
  14. Nine
  15. Ten
  16. Eleven
  17. Twelve
  18. Thirteen
  19. Fourteen
  20. Fifteen
  21. Sixteen
  22. Seventeen
  23. Eighteen
  24. Nineteen
  25. Twenty
  26. Twenty-One
  27. Twenty-Two
  28. Twenty-Three
  29. Twenty-Four
  30. Twenty-Five
  31. Twenty-Six
  32. Video #2
  33. Twenty-Seven
  34. Twenty-Eight
  35. Twenty-Nine
  36. Thirty
  37. Thirty-One
  38. Thirty-Two
  39. Thirty-Three
  40. Thirty-Four
  41. Thirty-Five
  42. Thirty-Six
  43. Thirty-Seven
  44. Thirty-Eight
  45. Thirty-Nine
  46. Forty
  47. Forty-One
  48. Forty-Two
  49. Forty-Three
  50. Forty-Four
  51. Forty-Five
  52. Forty-Six
  53. Forty-Seven
  54. Forty-Eight
  55. Forty-Nine
  56. Fifty
  57. Fifty-One
  58. Fifty-Two
  59. Fifty-Three
  60. Fifty-Four
  61. Fifty-Five
  62. Fifty-Six
  63. Fifty-Seven
  64. Fifty-Eight
  65. Fifty-Nine
  66. Sixty
  67. Sixty-One
  68. Sixty-Two
  69. Sixty-Three
  70. Sixty-Four
  71. Sixty-Five
  72. Video #3
  73. Sixty-Six
  74. Sixty-Seven
  75. Sixty-Eight
  76. Sixty-Nine
  77. Seventy
  78. Seventy-One
  79. Seventy-Two
  80. Seventy-Three
  81. Seventy-Four
  82. Seventy-Five
  83. Seventy-Six
  84. Seventy-Seven
  85. Seventy-Eight
  86. Seventy-Nine
  87. Eighty
  88. Eighty-One
  89. Eighty-Two
  90. Eighty-Three
  91. The Final Video
  92. Acknowledgments
  93. About the Author
  94. Back Cover

Daniel’s invocation of our childhood moviemaking adventures has the intended effect. I give him the benefit of the doubt. It’s a small benefit, maybe about five minutes long, but I’m willing to extend it to him.

I let out a long-held breath. “Okay. I’ll watch. But just a little.”

Daniel claps his hands together. “I knew you would. And guess what? You’re not going to be disappointed.”

He turns back to the laptop and starts tapping away. Then, with a dramatic flourish, he hits the play button. And his movie begins.

Twenty-One

It takes a moment.

Then some cheesy and ominous music starts playing. It really does sound like a low-budget horror movie, the kind that are all over Netflix.

“The soundtrack isn’t great,” Daniel says, his eyes still on the screen. “I’ll have to pay somebody to do something better. I just goofed around on the piano in the other room.”

Images start flashing across the screen. A baby. A child with blond hair. An older child with two missing teeth, smiling at a fair.

Chloe. They’re photos of Chloe.

There’s an image of Chloe standing in between her parents at a church, all of them grinning.

“Wait,” I say. “How did you…did her parents…”

“Instagram, man. Or Facebook. I’ll have to get their permission later, of course. This is just a rough cut.”

The photos of Chloe’s life move forward chronologically, including ones that start to show her and I together.

I’ve spent a lot of time over the past ten days looking at photos of Chloe online. But seeing them in Daniel’s room, filtered through his perspective, somehow makes them even more poignant. The stream of photos makes the magnitude of her disappearance more real.

A pain grabs me in the center of my body. It’s like someone’s twisting a corkscrew into my chest.

A voice comes from the screen.

“On October 7, seventeen-year-old Chloe Summers disappeared from the small, bucolic town of Bentley, Kentucky, where she lived with her parents.”

Bucolic?

It’s Daniel narrating. His voice is thin, reedy, nothing at all like the kind of voice that would ordinarily narrate a documentary. He sounds like he’s twelve years old.

As if reading my mind, he looks back at me.

“Yeah, I need to hire a narrator. If someone buys it, they can get a famous actor to do it. I was thinking someone like J. K. Simmons. You know?”

But my eyes are on the screen, and I’m not thinking about Daniel’s pipe dreams.

It’s the site of the accident. County Road 250, a stretch that runs through a heavily wooded area north of town. The images of the road and the trees make me shiver. The camera zooms in on one tree in particular. The bark is shredded, a big gash in the trunk. The tree we hit…