Back She's Gone Save as PDF
Chapters (95)
  1. Front Cover
  2. Title Page
  3. Copyright
  4. Contents
  5. Video #1
  6. One
  7. Two
  8. Three
  9. Four
  10. Five
  11. Six
  12. Seven
  13. Eight
  14. Nine
  15. Ten
  16. Eleven
  17. Twelve
  18. Thirteen
  19. Fourteen
  20. Fifteen
  21. Sixteen
  22. Seventeen
  23. Eighteen
  24. Nineteen
  25. Twenty
  26. Twenty-One
  27. Twenty-Two
  28. Twenty-Three
  29. Twenty-Four
  30. Twenty-Five
  31. Twenty-Six
  32. Video #2
  33. Twenty-Seven
  34. Twenty-Eight
  35. Twenty-Nine
  36. Thirty
  37. Thirty-One
  38. Thirty-Two
  39. Thirty-Three
  40. Thirty-Four
  41. Thirty-Five
  42. Thirty-Six
  43. Thirty-Seven
  44. Thirty-Eight
  45. Thirty-Nine
  46. Forty
  47. Forty-One
  48. Forty-Two
  49. Forty-Three
  50. Forty-Four
  51. Forty-Five
  52. Forty-Six
  53. Forty-Seven
  54. Forty-Eight
  55. Forty-Nine
  56. Fifty
  57. Fifty-One
  58. Fifty-Two
  59. Fifty-Three
  60. Fifty-Four
  61. Fifty-Five
  62. Fifty-Six
  63. Fifty-Seven
  64. Fifty-Eight
  65. Fifty-Nine
  66. Sixty
  67. Sixty-One
  68. Sixty-Two
  69. Sixty-Three
  70. Sixty-Four
  71. Sixty-Five
  72. Video #3
  73. Sixty-Six
  74. Sixty-Seven
  75. Sixty-Eight
  76. Sixty-Nine
  77. Seventy
  78. Seventy-One
  79. Seventy-Two
  80. Seventy-Three
  81. Seventy-Four
  82. Seventy-Five
  83. Seventy-Six
  84. Seventy-Seven
  85. Seventy-Eight
  86. Seventy-Nine
  87. Eighty
  88. Eighty-One
  89. Eighty-Two
  90. Eighty-Three
  91. The Final Video
  92. Acknowledgments
  93. About the Author
  94. Back Cover

Olivia laughs like it’s the funniest thing she’s ever heard, and even Dad, who usually refuses to act like little kids are funny, manages a small smile. The story strikes me as pointless.

“I’m going to do my homework,” I say.

“There’s ice cream,” Dad says. “Vanilla and pistachio.”

“Oh,” Olivia says, “I kind of demolished the vanilla yesterday.”

“I bought more on my way home,” Dad says. “Besides, we all know Hunter’s favorite is pistachio.”

“I’m okay,” I say. “Maybe later.”

“Are you feeling sick?” he asks. “Your head? Haley said you hit the ground pretty hard at Basher’s house.”

“That really isn’t bothering me much. Hardly at all.”

Dad’s worried about me. He’s held off on a lecture about the trespassing charge. He knows every dead end means we’re further away from finding Chloe. And every dead end means I look guiltier and guiltier.

So he tolerates my moodiness and lets me go to my room.

But what do I do there? I’m sick of homework. Sick of studying and never getting to talk about any of the things I’ve read. Sick of emailing my work in and then getting emails back from my teachers. I don’t feel very motivated to write college essays, either.

I sit in front of my computer and open Daniel’s movie, skipping ahead to where the homecoming footage starts.

Chloe.

Even though I’ve seen it so many times—backward and forward—her image fascinates me. We talk. Argue? We get into the car and drive off, knowing that only minutes remain before the mystery begins. There’s a break in the filming like the camera was turned off. And then it comes right back on.

Again and again, I watch.

My brain feels locked and unable to look away.

Again and again. The same thing. After that break, I always stop before that second car comes up behind us. Maybe that car means nothing. Maybe it was just some kids who grew bored with the dance and wanted to get high or drunk or just get the fuck away from the smothering crowds in the gym. Maybe it was someone not connected to us at all. An Uber driver turning around. An old guy out for an evening drive. A teacher leaving his or her office.

The chair squeaks as I lean back. Thinking. The movie continues to play. The other car pulls out and then... Daniel cut the film poorly here. It’s a rough cut, but everywhere else his cuts were precise and smooth. He seems to have the tech side of things down, but he still needs help with his storytelling. But this is the only weird cut.