Back The Woman in the Photograph Save as PDF
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

This project had all come about because of a late-night conversation with Leonie and Bea, when they’d been talking about how the world was, or wasn’t, changing. Neither Leonie nor Bea were sanguine. They were worried about schisms in the sisterhood, and in the never-ending impossibility of getting the patriarchy to stay dismantled, when they did manage change.

But Vee felt – feels – differently. She sees herself as an example of change as it’s happening – a woman in a man’s world, and she might not exactly be accepted in all quarters, but she’s here. Vee looks back at that year at the Colchester Echo now and can’t believe what she put up with.

Look at her now. Look at the world.

Women are rising up. They are shouting for equality – real equality, no more being underpaid or struggling into ridiculous clothes or feeling as though getting married is anything other than an outdated patriarchal notion that nobody needs. Equality, true equality is coming. It’s in the legislation, it’s in the literature, it’s in Spare Rib and the flares and ponchos that feel like freedom. It’s in the air at the Women’s Liberation Front meetings, where more and more sisters come, with more and more stories of what they are protesting, what they are refusing to put up with. It’s thrilling, and too many people are missing it.

Leonie and Bea had been sceptical of her view. They still see Vee as a junior, beginner feminist, a little sister. Vee had cited the Sex Discrimination Act and the Equal Opportunities Commission, but Leonie and Bea had looked at each other, smiled, and then explained, rather too patiently, that it wasn’t enough; that it might even stop the sisters from rising up the way they should because they think equal rights for women is all taken care of.

But Vee had known she is better qualified because she’s closer to reality than her privately educated, clever friends. So she had set out to change their perspective with photographs. And the more photographs she took, the more she stopped thinking about making an argument against what Leonie and Bea thought. They would always run rings around her, intellectually. But she could show what she meant. She could track change, show the broadness of women’s lives, the scope of them, their power.