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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

The picket-line women are in flat shoes and mini-dresses, arms bare to the sun, tiny and bright against the metal gates, the grimy brick of the factory building glowering over them. Vee wishes she hadn’t dressed the way she always does for work. Her knee-length skirt is sticky with static against her stockings. Her jacket, so handy with the pockets for film cases and spare lenses, is weighing her down, and she can’t take it off because she knows she has sweated through the blouse beneath it. She feels old-fashioned, out of touch. Why doesn’t she have a mini-dress? Why is she sleeping in rollers? And why on earth are hair and clothes what she is thinking of now?

Maybe this is what the world changing looks like. It’s not as dramatic as what happened in Grosvenor Square or the protests in Paris, but it could still be part of a change. As her dad says, nothing lasts forever.

She takes a closer look at the banners. They are painted or coloured in, made with careful attention to detail, letters equal height and the spacing of the wording considered. ‘No Deal Till You Recognise Our Skill’ reads one banner. ‘Unequal Pay Is Sex Discrimination’, reads another. ‘We Want Sexual Equality’ says a third. These women are organised and they mean what they say. Vee inhales and straightens her spine. This is change, all right. She needs to teach herself to see it.

Behind the banners, women chatter and laugh. Someone is handing round sandwiches. Well, there isn’t really any reason why something like this shouldn’t feel like a picnic. However serious it is.

She looks around, for a leader to introduce herself to. There’s no one obviously in charge; but then she recognises one of the women from the press coverage.

‘Hello,’ Vee says, ‘I’m Veronica Moon. I wonder if you’d mind if I took some photographs? Of the picket line?’

‘Be our guest,’ the woman says, ‘it’s nice of you to ask. The blokes don’t. Where you from?’

Vee takes the lens cap off the Nikon F1 that she still can’t believe is hers, although technically, it isn’t, until she’s finished paying Dad back for it, out of her wages. ‘Colchester. The Echo. But I’m not here officially. It’s my day off. I came just to see, really.’

The woman nods. ‘There’s been a few of those. Especially women. Do you get paid the same as the blokes?’