Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘I hadn’t been educated in the way that a lot of the women in the movement had. The ones I was mixing with, anyway, through Leonie. I felt quite honoured that she had taken me under her wing and I didn’t want her to think I was so ignorant that I wasn’t worth the bother. So I looked words up and I started reading the news. There was a programme called What the Papers Say on TV, so I would watch that, and listen to discussions on the radio. And I asked your aunt a lot of questions, too. She always took me seriously. Some of her friends weren’t so nice to me. She saw herself as a writer but really I think her gift was for education.’

‘My mother was a teacher.’

‘Ursula? Oh yes, of course, I remember.’

‘What do you remember?’

Go carefully, Vee. ‘Ursula would come to the flat, sometimes, but I don’t think she was sure what to make of us. She was working in a school, I remember, and she was married, so she had quite a settled lifestyle.’

Erica has stood still at last. ‘What was it like? Living in the flat?’

‘It was . . .’ Where are the words? ‘It seemed very – free – to me. Leonie wrote and went to groups and did some teaching. And she helped women she heard about through the . . . through the—’

‘Grapevine?’ Erica supplies. She doesn’t seem to register that Vee couldn’t find the word. Maybe having a toddler does that to you.

‘Yes. No.’ Ah, here it is. ‘Network. It was organised. It had to be because not everyone had a phone. There was a list of people you called, for different things.’

‘What did people call you and Leonie for?’

‘Leonie, when they needed power. Straight talking. Clear thinking. Me to take photographs.’

‘Of what?’

Vee remembers these vividly. ‘Injuries. Beaten women. So there was a record.’

Erica pales. ‘Of course.’ She’s paying full attention now. The slow cooker could catch fire and she wouldn’t notice. ‘I didn’t know about this.’

‘There’s no record – I took them, developed them, but they were private. They belonged to the women, not to me.’

‘Could we include some?’

Vee thinks of the women she visited, sitting silently in spare corners of their friends’ houses, how she had to coax them into the light. ‘I gave them to the women.’

‘Not the police?’

‘Things were different. It was a brave woman who went to the police. If they did, there was a good chance the police would ring their husbands to come and get them.’

Erica shakes her head. ‘That’s awful,’ she says.

‘It still is. It’s different, that’s all.’