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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Stanley shakes his head. ‘This will all have to change once you’re married, you know, treasure. Barry won’t want you sneaking round here every Saturday afternoon.’

‘Barry doesn’t mind, Dad. And anyway, the wedding won’t be for a few years yet.’

‘Your mother was only nineteen when we got married.’ It’s eleven years since she died, but the hollowness of loss is still great enough to make a short, hard moment for them both before they look at each other and sort of smile in acknowledgement that she is gone, they are not, and they are the only two people in the world who could ever understand, precisely, what that means.

‘Will you bring some rhubarb? We can have it for afters, tomorrow.’

Stewed rhubarb and condensed milk is her dad’s idea of heaven.

Stanley nods, takes his hat from the stand by the door, and he’s gone.

*

Almost as soon as Vee had managed to get a camera of her own, when she was fifteen, thanks to savings and a birthday and Christmas present combined, she realised that she’d never be able to afford to have her films developed, so she set about learning how to do it herself. The novelty of her makeshift darkroom under the stairs, the sour/sharp smells and the eerie light, has yet to wear off.

Vee can still remember the first time she saw a photographer at work. It was at a cousin’s wedding. Vee was a seven-year-old bridesmaid, in shell pink with a little white knitted cardigan, pink silk roses to hold, and borrowed satin shoes with scrunched-up handkerchiefs in the toes to make them fit. Every picture of her from that day shows her staring into the camera. She remembers how much she wanted to know what was happening under that cloth the photographer was hiding in. When she wasn’t in the photographs she stood behind the tripod, listening to the clicks and winding sounds of the camera at work. When the photograph album was shown – cousin Betty had married up in the world, there was no one in the family who had had a proper album before – Veronica saw how the adults used the photos to relive the day. They commented on this hat and those flowers, what a shame it was about the weather and how handsome Betty’s husband was. That man, under the cloth, with a button and a handle to wind, had quietly made the shape of their memories.

She didn’t understand it in those terms at the time, of course. She just knew she wanted a camera like other children wanted a pogo-stick.