Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘Exactly. You’re not allowed a voice of your own, here. Not if you’re trying to be factual. You have to be poetic. So the powers that be, the MEN, can write it all off as . . .’ she twists her face into a simper, ‘feelings. Which they can then ignore. Some of the sisters are talking about setting up a magazine, but—’ She makes a gesture that encompasses despair and impatience.

‘I’m sorry, Leonie.’ Vee doesn’t know how hard it is to get a book published but she knows for a fact that Leonie is good enough.

‘I know you are.’ There’s a real smile, this time, and Vee feels her face light in return. Then Leonie remembers something else. ‘Or Australia. There’s a book you need to read by a sister called Germaine Greer. It’s interesting. She’s right about quite a lot of things. Maybe half of it.’

‘Is that good? That she’s getting some of it right?’ The thought of Leonie in America or Australia – how much would a plane ticket be? – gives Vee a sort of indigestion of the heart.

‘Yes and no,’ Leonie says, ‘good for consciousness raising. Bad because now the patriarchy can point at her and say, but we’ve published a book about woman and sexuality and how we men hold women back. Why do you need another one, darling? You keep writing your pretty words, by all means, but the position of the woman with unpalatable truths about female bodies is taken.’

‘I see what you mean.’

‘The thing is, the establishment holding me back – I’m used to that, you know? But the sisters should be behind me.’ Leonie shakes her head. She looks as though she might cry. ‘They should be willing to try. The editor I talked to today – she’s a woman. She’s a friend of Jo, you know Jo?’

‘Yes.’ Vee probably does. She hasn’t spent enough time with the feminist crowd to be able to put all the names to all of the faces.

‘So I hoped, y’know? I thought, an editor, a woman, one of us. But it looks like she only got there by playing it safe. Not drawing attention to the fact that she’s a woman. Jeez! This is so not cool. If we only do what’s safe—’

Leonie is getting louder. People are looking round. Vee knows she shouldn’t feel as though there is anything wrong with making a noise. ‘What didn’t she like? This friend of Jo’s?’

Leonie glares. ‘That’s the question I asked. Not that I would change it. But she just said it “wasn’t right” and  “wasn’t for them”. Coward.’

‘Sounds like it,’ Vee says, and adds, ‘but you are the bravest person I know, you know, so . . .’

The glare is replaced by a smile, but not a nice one. ‘Well, that’s something. Braver than all the housewives in Essex.’