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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘I’m sure people would love to see you,’ and she adds, hurriedly, ‘not to make a speech, or anything. Just to be there.’

Vee smiles. ‘I might come out in a while.’ She’s not sure that she will. But she does want to support Erica. She feels as though she should, as though she owes it to Leonie, in some odd way. And maybe, just maybe, she is ready to be proud of what she, Veronica Moon, has achieved, instead of angry at what she lost.

Knowing at last that she did try to save Leonie makes her genuinely happy. If happiness is possible, and if the tumour isn’t tricking her. Whatever she thinks she has now is uncertain.

Erica is waiting. ‘You should be out there. It’s your night.’

Erica sits down, and looks straight into Vee’s face. ‘I haven’t said thank you. I will – out there. But I wanted to say it, now. This exhibition – all you’ve done for it. It’s more than I could have thought possible. And – you’ve helped me to understand.’

‘Understand what?’

‘Well, more about the history, of course, but that’s – that’s’ – Erica puts her hand to her temples – ‘that’s the past.’ Would that it were, Vee thinks – the tumour seems to be aligning all of the parts of her life that she still holds, childhood and adulthood and this creeping exhausting death, as though it’s all laid out in two dimensions in front of her. Too much flash, no depth of field. ‘But talking to you has made me realise things about my own life.’

‘I’m glad I’ve been of some use, Erica.’

‘I feel as though I’ve woken up,’ Erica says, ‘and I feel as though I have choices, again. I haven’t felt like that for a long time.’

Vee reaches out a hand, and Erica leans forward and takes it. ‘You have choices,’ she says, ‘and you’re allowed to make mistakes. Just make them because you chose the wrong direction, not because you stayed asleep.’

‘Yes,’ Erica says. ‘Yes. Thank you. For everything.’

‘If you cry, you’ll smudge your mascara.’

Erica smiles, half-laughs. ‘Fuck my mascara,’ she says, ‘I’ve got better things to think about.’

And for all that there’s so little Vee can trust in her mind anymore, she trusts this feeling, the one that is filling her, now, of pride in knowing this woman, of certainty that she is looking at Leonie’s daughter. ‘Go,’ she gets out before she starts to cry, ‘go and make the most of this.’