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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Erica nods. Those eyes, round like a child’s as she listens. Then, unexpectedly, she smiles. She’s not looking at Vee. She’s not really now: she’s then. ‘I remember she was always talking, and always looking. I remember her and my mother talking about me, a lot, because I felt . . .’ Erica puts her hand on her stomach, her face twisting, as though something is curdling inside her.

‘I think the morning you came, Leonie had said my mother was a bad mother. And my father was complaining about how Leonie never shut up and my mother never stopped complaining about her. And then they had to stop arguing and we had to tidy the house up, because you were coming.’ She scratches at her temples again, a gesture that little Tom will no doubt remember one day, look back on as being part of what made his mother what she was.

Tears clump Vee’s throat. Pain travels down her spine, up again, reaches her crown.

Erica shakes her head. ‘That’s all.’

‘Look at her, though,’ Vee says, even though remembering Leonie, really thinking about her, hurts, ‘you can see everything that she was. Clever, thoughtful, and just – just a force. And I think that if I saw that, probably even if I knew she was dead, I wouldn’t have been able to help but photograph it. I don’t know if it was shock or instinct. But it’s what photographers do. Female photographers get . . .’ what’s the word? ‘Monstered for it. Male ones get applauded for being unflinching.’ She adds, because she can, now, ‘If my camera was on the ground, I know I tried to help.’

Vee pauses. She looks at Erica, who might be crying, but the sparks and flares of light at the edges of her vision have begun, so it’s hard to tell. She’s not saying anything, though, so Vee continues, ‘And if you had come in, of course I would have shouted at you to go. I wouldn’t have wanted you to see. One of my aunts made me go to see my mother in her coffin and I never forgave her for it. If you were going to be a child without a mother, you didn’t need to see it. So yes, I might have shouted at you. But it would have been to save you from something I didn’t think you should see.’

God, this pain. All of it, inside and out. Drugs, then sleep, and if tomorrow never comes, well—