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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘No, because mine took me twenty years—’

‘You know I didn’t mean it like that, Leonie.’

‘Oh well that’s OK then.’

Click. ‘Is it?’

‘No. It’s not your job to write books! Just like it’s not my job to take photos.’ Something like pleading sounds in Leonie’s words. ‘Can’t you see?’

‘No, I can’t.’ This is just ridiculous, and Vee doesn’t need it. She’s shaken enough by seeing the living fact of what had seemed a very hypothetical problem of what to do about Leonie’s pregnancy. ‘I was never supposed to get out from under, was that it? I was supposed to be your protégé forever?’

Leonie looks genuinely angry. This isn’t one of her play-furies, one of her tests. She’s moving her face away from the camera every time Vee goes near. Fine. She’ll tell the editor that the film was over-exposed when she took the back off the camera, that the winding mechanism had gone wrong. These things happen. This can be The One Time Veronica Moon Didn’t Nail It. Or she’ll hope there’s something from the first roll of film that she can use, and she’ll hand the specific negatives over, keep the ones of Erica and Leonie private.

‘No,’ Leonie says quietly, ‘but you were supposed to—’

‘What? Come on, tell me.’ Looking down on Leonie is a strange feeling, wrong, like looking at the negative of an image you know well.

Leonie looks down. ‘You were supposed to care.’

Vee turns away, opens her bag in preparation for nuzzling the camera back in to the protective foam that has made a millimetre-perfect nest for it over the years. She picks up her light meter, tucks it back in its slot in her camera bag, ‘You know I care.’

‘How do I know that? From when you cancelled your stupid assignments when I needed you? From all those times you called?’

The guilt that has been filling Vee since Stanley died washes up to its high tide mark, threatening to drown her. She goes over to the chair, kneels on the floor, and leans against Leonie’s knees. ‘I meant to. And I assumed you didn’t want to talk about it.’ It sounds thin, even to her. She tries harder. ‘You’ve never seemed to need me. Or anyone. And anyway – your book. If anyone lives what they believe, it’s you. Motherhood is a construct of the patriarchy, you said, and I knew that you knew you were right.’

‘Did you ask?’ Leonie might be crying. She’s looking away.

‘Ask what?’

‘If I was OK?’