Back The Woman in the Photograph
Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

Ursula, standing in the doorway, hesitates for half of a heartbeat before saying, ‘I think that will do.’ She’s changed out of her leggings and sweater into jeans, heels and a batwing top.

Leonie gives another tickle, but Erica has stopped laughing as suddenly as she started, her face its resting small and sober shape once more. Vee risks a final photograph but Ursula notices and holds out a hand, one finger pointing, towards Vee, without even looking at her. There’s enough authority in the gesture to make Vee rest her camera on her chest. Ursula hasn’t taken her eyes away from her sister and her daughter.

‘We’re just playing,’ Leonie says. Erica makes a move to get down – Vee can see her legs wiggling – but Leonie is holding her on her lap as though she is a shield.

‘Really?’ Ursula says. The sisters are looking intently at each other now, Leonie defiant, Ursula furious.

‘Really. I don’t see anything like enough of my . . .’ and Leonie plays the pause to perfection – ‘niece.’

‘Well, whose fault is that?’ Vee glances at Erica, whose face is all bemused resignation, somewhere between ‘not this again’ and ‘I wish someone would tell me what is going on’. It’s a strange look to see on a child. She fidgets on Leonie’s lap, realises her grip has loosened, and slides to the floor. She might actually be trying to head for Vee – or, more likely, her camera – but Ursula’s arm, still stretched out and pointing Vee to stillness, drops on to Erica’s head, pulls her towards her. Erica stands against her mother’s body, Ursula’s hand more than resting on her shoulder to keep her in place. ‘We’ll discuss this later.’

‘No, we won’t,’ Leonie says, ‘I’m going as soon as the photos are finished. I’ve better things to do with my day than listen to your bullshit, again.’

Ursula bends to Erica. ‘Come on, darling. We don’t want to listen to Aunt Leonie’s swearing, do we? This is part of why your daddy and I think she’s a bad influence.’

‘The lady with the camera said a bad word too,’ Erica says.

‘Woman,’ Vee and Leonie correct, in unison. Ursula ignores them.

‘Well, we really don’t want to listen to bad words.’

Leonie smiles at Erica, and Vee doesn’t know what’s coming, but she knows it won’t be pleasant. ‘You don’t look much like your daddy, do you, Erica? You should ask him about that sometime. Most children look at least a little bit like their father.’

For a second Vee is sure that Ursula will go for Leonie, slap her at least, and she’s damned if she will miss it, hands already raising her camera to her face. But Ursula turns away, propelling Erica in front of her: ‘Come on, we can get your dolls’ house out.’