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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘Thanks,’ Tanya says when she comes back from wherever she’s been. She scoops the child up, sits, and puts him in the crook of her crossed legs. She’s been absent long enough for the feeling to return to Leonie’s pins-and-needles calf. Leonie has never wanted to conform to patriarchal notions of beauty and what a woman should be – in fact, she has set herself against them, on purpose, her body her field of action. But when she watches people move the way that Tanya or Vee do, with no thought for getting up or sitting down, no sense of hauling more than their bones can bear, she envies them their ease. She’s been reading Andrea Dworkin, admiring the way she is showing the patriarchy that it has no agency over her. Dworkin wouldn’t be sitting easily on the grass, either. It could be that she has found an intellectual ally at last.

‘So, what’s new with you?’ Tanya asks.

‘I’m busy with the shelters. And I’m always writing.’

‘Cool.’

‘Kind of.’ Leonie resents every hour she spends working with the women’s shelters. Not because she doesn’t want to help the sisters. She knows she’s in such a privileged position, and can’t imagine having nowhere to go, not a penny, not even the certainty that you are drawing a safe breath. But she wants to fix things from the other end. No one would need to help these women if the world was equal.

‘Haven’t found anyone to shackle yourself to?’

This is why you should never have kids. Your brain goes to shit. She shakes her head. ‘Why is that even a question? I’ve no desire to. I never have had, and I don’t think I ever will, now. I’m forty-three, for chrissakes. Fuck settling.’

‘I respect that,’ Tanya says, then, instantly disrespecting, ‘I never would have thought that I would find someone. Not really. But Trev is something special. Not all men are bastards. And the babies . . .’

Don’t do the smile, Leonie thinks, please don’t do the smile. But Tanya does. Leonie has seen it on Ursula’s face, ever since she took Erica. It’s one-third serenity, one-third sanctimoniousness, and one-third genuine happiness. Leonie doesn’t need to look at it. At least Vee has earned her happiness through her own efforts, instead of letting her hormones do it for her.