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Chapters (65)
  1. Cover
  2. Praise for the previous work of
  3. Dedication
  4. Epigraph
  5. 24 April 2018
  6. Part 1: Subject
  7. 15 June 1968
  8. 20 June 1968
  9. July 1968
  10. 2 February 2018
  11. Part 2: Light
  12. 20 November 1970
  13. 20 November 1970
  14. 21 November 1970
  15. November 1970
  16. 19 February 2018
  17. Part 3: Focus
  18. 15 April 1977
  19. 18 April 1977
  20. 15 May 1977
  21. July 1977
  22. 26 February 2018
  23. 8 March 2018
  24. 8 March 2018
  25. Part 4: Distance
  26. 15 May 1979
  27. 15 May 1979
  28. 16 May 1979
  29. June 1979
  30. 29 March 2018
  31. 29 March 2018
  32. 27 March 2018
  33. Part 5: Movement
  34. 18 October 1981
  35. 10 April 2018
  36. 18 October 1981
  37. 10 April 2018
  38. 18 October 1981
  39. 10 April 2018
  40. 18 October 1981
  41. 10 April 2018
  42. 10 April 2018
  43. 18 October 1981
  44. 10 April 2018
  45. October 1981
  46. Part 6: Exposure
  47. July 1984
  48. 5 September 1984
  49. 24 April 2018
  50. 25 April 2018
  51. Part 7: Developing
  52. 26 April 2018
  53. Vee, in the lost place, 1984
  54. 26 April 2018
  55. Epilogue
  56. 5 February 2019
  57. Author’s Note
  58. Acknowledgements
  59. Letter from Author
  60. Stephanie Butland’s Readers’ Club
  61. For your Reading Group
  62. For discussion
  63. Select bibliography
  64. About the author
  65. Also by Stephanie Butland

‘Yeah,’ Vee says. When she’s upset or under stress, her Essex accent comes out, and it reminds Leonie of when she first met her, with her skirt and her heels and her forelock-tugging, ‘am I allowed’ attitude. She’s come a long way, that’s for sure. ‘I just . . .’ She raises her hands, drops them. ‘I didn’t think you were as upset as you were. It didn’t – it didn’t fit with what I knew about you. When I saw you in the pub that day—’ she pauses, a question.

‘I remember,’ Leonie says. Vee reacted to the offer of the kid like it was nothing. She must have realised that Leonie meant it, but she just shrugged it off, like Leonie was trying to give her some old shirt she knew she would never wear. It had seemed like a good option – Vee must be loaded these days, and she was never really as cool with rejecting the conventional as she makes out. There was another life where she would have married some Essex welder and had a girl and a boy, and named the girl after her mother and the boy after his father. Leonie had thought that a kid might appeal to that part of her. But no, Vee had turned her down without blinking. She’d made more of a drama when her fucking darkroom door was opened that time.

Ursula, on the other hand, made it some kind of honour, with the tears and the ‘are you sure’s and the ‘we’ll never be able to thank you enough’s. Funny how fast that got forgotten, too, and Aunt Leonie became an interfering pain who had no idea how hard it was to be a real parent. Well, that might be true, but Leonie is pretty fucking sure that it’s not that hard to buy clothes for girls that aren’t pink, and give them Lego as well as dolls. But Ursula and Alec are doing their thing, and Leonie has to let them get on with it. She doesn’t think she really cares about Erica, except in the way that she cares about all of the children – abstractedly, because they matter, as part of the fight. Everything will get fixed a lot faster if kids learn that they are the same, from the beginning. It’s so bloody obvious, but nobody gets it. Not properly. Even the ones who are trying to raise their kids equally walk round like they need a medal for it.