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Contents ( 81)
  1. Cover
  2. Praise for These Nameless Things
  3. Books by Shawn Smucker
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Epigraphs
  8. Contents
  9. Anytime to Three Months
  10. I’m Afraid Not
  11. The White-Haired Woman
  12. The Emptiness
  13. Looking for You
  14. Closer Than They Might Appear
  15. The First Drowning
  16. The Tea Party
  17. The Field
  18. My Own Flesh and Blood
  19. Crossing Over
  20. A Place in This World
  21. Leaving
  22. The Man in the Hotel
  23. Driving Away
  24. Gone Again
  25. No Trespassing
  26. Into Nysa
  27. No Cares in the World
  28. You Should Turn Around
  29. When Everything Started Happening
  30. An Unexpected Encounter
  31. Night Swimming
  32. Shirley
  33. The Woman at the Window
  34. What’s Real?
  35. The Question
  36. The End of Me
  37. She Went Under
  38. Desecrated
  39. The Carpet
  40. The Boat
  41. Sinking
  42. The Weight of Memory
  43. Photographs
  44. Was It You?
  45. A Wedding and a Ring
  46. Dreams and Open Windows
  47. New Developments
  48. The Door
  49. Going Under
  50. The Loss of You
  51. The Glassy Sea
  52. Following Her Down
  53. Something Beyond Us
  54. Let’s Not Leave Her Alone Anymore
  55. Too Many Secrets
  56. Heavy Things
  57. She’s Gone
  58. Our Future Spelled Out
  59. Screams at the Cabin
  60. So Close
  61. When You Arrive at the End, Keep Going
  62. It’s True
  63. The Other Side
  64. Reality
  65. Swimming Underwater
  66. Only the Deepest Pools Remain
  67. The Open Window
  68. When I Knew
  69. The Clouds Bear Down
  70. The Far Green Country
  71. Gone
  72. The Fly
  73. The Nesting Doll
  74. Two Months Later
  75. Floating Away
  76. Another mesmerizing story from Shawn Smucker
  77. Prologue
  78. Acknowledgments
  79. About the Author
  80. Back Ads
  81. Back Cover

That’s when I hear the metal door upstairs slam shut. My heart skips a beat. I reach down and take your small hand. It’s dry, and I can feel the fine dust from the concrete on it, like chalk powder. You follow me up the stairs, across the room to the door. It’s closed.

“The wind must have blown it shut.” I push the bar, expecting it to be locked and us to be trapped. But it pops open, and we are bombarded by the fresh autumn air, now much cooler than it was only minutes before, and the slate-gray sky above us. The wind is like breath.

I drop your hand and wrap the chain back around the door handle. When I finish, you reach up and grab my hand again, and we drift up the alley. Your hand feels even lonelier and smaller than it did in the dark, the alley feels lonely and narrow, and the sky, even as the clouds break up, seems lonely and tired. We pause at each street between the school and our house, look both ways, and walk across, my steps long and ponderous, yours short and sometimes turning into skips to keep up.

“Why did you go in there?” I ask you. “Places like that aren’t safe here in the city.”

You smile. “The woman from class. She was helping me with the map. And she gave me this.” You hand me a quarter. “See the year?” you ask, pride in your voice.

I hold the quarter up closer to my face, rubbing it to wipe away some of the grime.

1979. Forty years ago. The same year your father was born. The same year your grandmother left me. Dread seeps into my neck, my eyes, my hands. It’s a tightening, a filling up, a kind of heat. I’ve had this feeling before, this hollow sense of low-grade dread, and I realize it was that day forty years ago when I was lying on the sofa, John on my chest, and our friends came back across the water without your grandmother.

Without Mary.

On that morning, I stood holding John in my arms, pressing his body to my chest with one hand while cupping his head in the other. I navigated the sliding door with my elbow without putting him down and walked out onto the deck.

I keep seeing it now, over and over again. Shirley bent at the waist, crying and gasping for breath.

“Where is Tom going?”

“He’s going for help.”

“Mary?” I asked, not able to say anything else.

She shook her head. “There was an accident.”

“Grampy?” you ask me.

We are standing at the crosswalk. Two cars have stopped to let us walk, but I am lost, far away.

“Should we cross?”

I give a half wave to each car, and we pass between them. One of them roars behind us, formally registering the driver’s impatience.

“Almost there,” I whisper to you. I think again of the imaginary woman you have been talking about. “Pearl.” I pause. “Tell me again. Why were you in that building? You have to be careful. Sometimes abandoned buildings have people in them who might hurt you.”