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Contents ( 81)
  1. Cover
  2. Praise for These Nameless Things
  3. Books by Shawn Smucker
  4. Title Page
  5. Copyright Page
  6. Dedication
  7. Epigraphs
  8. Contents
  9. Anytime to Three Months
  10. I’m Afraid Not
  11. The White-Haired Woman
  12. The Emptiness
  13. Looking for You
  14. Closer Than They Might Appear
  15. The First Drowning
  16. The Tea Party
  17. The Field
  18. My Own Flesh and Blood
  19. Crossing Over
  20. A Place in This World
  21. Leaving
  22. The Man in the Hotel
  23. Driving Away
  24. Gone Again
  25. No Trespassing
  26. Into Nysa
  27. No Cares in the World
  28. You Should Turn Around
  29. When Everything Started Happening
  30. An Unexpected Encounter
  31. Night Swimming
  32. Shirley
  33. The Woman at the Window
  34. What’s Real?
  35. The Question
  36. The End of Me
  37. She Went Under
  38. Desecrated
  39. The Carpet
  40. The Boat
  41. Sinking
  42. The Weight of Memory
  43. Photographs
  44. Was It You?
  45. A Wedding and a Ring
  46. Dreams and Open Windows
  47. New Developments
  48. The Door
  49. Going Under
  50. The Loss of You
  51. The Glassy Sea
  52. Following Her Down
  53. Something Beyond Us
  54. Let’s Not Leave Her Alone Anymore
  55. Too Many Secrets
  56. Heavy Things
  57. She’s Gone
  58. Our Future Spelled Out
  59. Screams at the Cabin
  60. So Close
  61. When You Arrive at the End, Keep Going
  62. It’s True
  63. The Other Side
  64. Reality
  65. Swimming Underwater
  66. Only the Deepest Pools Remain
  67. The Open Window
  68. When I Knew
  69. The Clouds Bear Down
  70. The Far Green Country
  71. Gone
  72. The Fly
  73. The Nesting Doll
  74. Two Months Later
  75. Floating Away
  76. Another mesmerizing story from Shawn Smucker
  77. Prologue
  78. Acknowledgments
  79. About the Author
  80. Back Ads
  81. Back Cover
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It’s a Tuesday. John doesn’t work on Tuesdays, so all three of us go down to the school. He’s pushing you slowly, as he always does, careful for pebbles or cracks in the pavement that might stop your chair with a jerk. He has a brighter countenance these days. I wake every morning with an edge of dread in my gut, yet I don’t dare go to wake him up. I did that for the first few days last winter, after we found him waiting for us on the porch, but the anxiety I felt between turning his doorknob and finding him perfectly fine, asleep in his bed, sent my heart near to bursting. So I had to let that go, and now I wait for him to come down, but there’s still something in the waiting for him that gnaws at me.

But never mind. Here we are. We walk along the parking lot where the bottom of the chain-link fence has been pushed out from years of snowplows shoving snow out to the edges of the lot.

“Watch yourself,” I tell John, as I always do when we walk that stretch. “Don’t cut yourself on that chain link. You’ll need a tetanus shot for sure.”

In the past, me warning him more than once about something would have sent him either into a rant about me being overprotective or down into a dark, simmering quiet from which he would not emerge all day. But now when I say things like this, he’s able to brush them away gently.

“Got it, Dad,” he says, and I feel myself blushing at my inability to stop warning him of the same old things. Like when he goes to work and I tell him to “make good choices.”

We pass the old, abandoned building you hid in—was it only last fall? You show no signs of recognizing it. The next time we’re walking this stretch without John, maybe I’ll stop and turn you toward the old building, ask if you remember hiding in there last September, telling me about the map and the silver-haired woman. I could even carry you inside and we could sit together in that empty darkness. Would that bring you back to me?

“Come on in, you guys,” Ms. Howard says in a kind voice. She always waits for us by the back door. She’s not so bad.

The hallway through your school is one of my favorite places now, almost like a second home. Teachers peek their heads out and wave, pat you on the head, or bend down level with you and ask how your day was. This is why we arrive early, to make sure we have enough time to navigate all the love that waits for you in the hall.

I see Ms. Pena up ahead, pretending to go back into her room. I know she’ll come out as we’re passing and pretend it’s by chance. And she does.