Back The Real True Hollywood Story of Jackie Gold Save as PDF
Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

The nurse with the Streisand hair opens the shades, but the room barely brightens, the sun eclipsed by a knot of storm clouds. Even in this dull light, there is too much clarity, and my father shades his eyes.

“Can I get you something, sweetheart?” Nurse Streisand asks.

My father shakes his head and motions her away.

“All righty,” she says kindly. “You just push that button if you need anything.”

She leaves the room, crosses past Anna, and shuts the door.

My father pulls the chrome chair to my bed and slowly lowers, hunching over me. He grabs my fingers, a crumpled hanky in his hand. Tears strain at the area around his eyes; so many years of running the studio, of being in control, have rusted his ducts. He speaks into my limp hand, “My fault, baby…done things differently.” Dry shards of regret spill into my palm. “Spent more time…sent you to a university…” He struggles for the ways he could have prevented this.

It’s utterly inconceivable to my father that events can take place without his authorization like even God is waiting for him to send up a “deal memo,” approving His plans. In my father’s world, problems are fixable and the people who don’t cooperate are moved to a different department.

I want to say, “Daddy, it’s okay. I don’t feel nearly as bad as I look.” But I can’t. That’s the awful part—watching people suffer without being able to reassure them or even squeeze their hand.

“Sidney?” The door opens and Anna enters. She presses a hand to the back of my father’s neck and he quickly straightens up in his chair. “I called the driver. He’ll meet us downstairs.”

Of course she’s doing better than he is. She is Catholic. She lights candles, says prayers. She has the Blessed Mother and the saints to talk to when she’s scared. Anna comes to my bedside, brushes phantom hairs off the bandage on my forehead. Underneath the white strips lie my gleaming wounds—the stitched purple tracks, a Frankenstein scar newly minted.

“Dear Mary Mother of Jesus,” Anna whispers, her voice a soft wind rustling the leaves of a weeping willow. She seals her prayer with a cross over her chest, bends down, and kisses my cheek. Her lips are cool. I have a memory of being very young with a high temperature; Anna leaning over me, wiping my body with a cold washcloth to bring the fever down, my eyes following the gold crucifix swinging from her neck.