Chapters (79)
- EXT. BALCONY - MALIBU SHORES INN
- MAIN TITLES
- INT. HOSPITAL ROOM
- INT. HOSPITAL ROOM
- MALIBU COLONY HOME
- COLONY COFFEE SHOP
- INT. MALIBU COLONY HOME
- INT. BANQUET HALL
- INT. MALIBU COLONY HOUSE,
- INT. HOSPITAL ROOM
- INT. MALIBU COLONY HOME
- INT. HOSPITAL ROOM
- INT. MALIBU COLONY HOME
- INT. HOSPITAL ROOM
- EXT. MALIBU COLONY BEACH
- INT. MALIBU COLONY HOME
- INT. HOSPITAL ROOM
- INT. MALIBU COLONY HOME
- INT. HOSPITAL ROOM
- INT. HOSPITAL ROOM
- INT. MALIBU COLONY HOME
- INT. DEPARTMENT STORE, BEVERLY HILLS
- INT. MALIBU COLONY HOME
- INT. BEVERLY HILLS HOME
- INT. BEVERLY HILLS HOTEL
- INT. HOSPITAL ROOM
- INT. BEL AIR MANSION
- EXT. BEVERLY HIGH
- INT. BELAIR MANSION
- LIHUE, HAWAII AIRPORT
- INT. HOSPITAL ROOM
- INT. PEYSER AGENCY
- EXT. FRANKLIN APTS
- INT. SUNSET GOWER STUDIOS
- INT. HOSPITAL ROOM
- INT. SUNSET GOWER STUDIO
- INT. HUGO’S RESTAURANT
- INT. SUNSET GOWER STUDIO
- INT. WINNEBAGO
- INT. BEVERLY HILLS MANSION
- INT. HOSPITAL ROOM
- EXT. THE GATES OF HEAVEN
- EXT. PARAMOUNT STUDIOS
- INT. HOSPITAL ICU
- PARAMOUNT STUDIOS
- CLOSE UP: BRETT HANEY’S FACE
- INT. ICU
- INT. SPAGO RESTAURANT
- INT. JACKIE AND BRETT’S HOUSE
- INT. JACKIE AND BRETT’S KITCHEN
- INT ICU
- INT. HOSPITAL ROOM
- INT. JACKIE AND BRETT’S HOUSE
- INT. JACKIE AND BRETT’S KITCHEN
- INT. JACKIE AND BRETT’S HOUSE
- CLOSE UP: JACKIE’S HAND HOLDING A LETTER
- INT. MEDICAL OFFICE
- INT: HOSPITAL ROOM
- INT. SPAGO RESTAURANT
- UNIVERSAL STUDIOS
- INT. HOSPITAL ROOM
- EXT. DOROTHY CHANDLER PAVILION
- INT. HOSPITAL ROOM
- INT. DOROTHY CHANDLER PAVILION
- INT. HOSPITAL ROOM
- INT. BEL AIR MANSION
- INT. HOSPITAL ROOM
- INT. JACKIE AND BRETT’S HOUSE
- INT. HOSPITAL ROOM
- INT. HOSPITAL ROOM
- INT. MALIBU SHORES INN
- INT. HOSPITAL ROOM
- INT. MALIBU SHORES INN
- INT. HOSPITAL ROOM
- EXT. MALIBU SHORES INN
- INT. HOSPITAL ROOM
- FADE IN:
- ABOUT THE AUTHOR
- ACKNOWLEDGEMENTS
This morning, he snuck into my hospital room. At first, I didn’t recognize him, wearing glasses, dressed as an orderly, bent over, and pushing a cart piled with towels and linens. When the door shut behind him, he took a camera out from under his shirt and began shooting.
There was a time not long ago when I had photo approval in all my contracts. I controlled how I wanted my body seen. And while candid photos of me have graced many a tabloid cover, none compares to those that will soon be featured at the check stand of your local supermarket courtesy of Nurse Flo’s disposable camera and The Australian’s Nikon 90.
I hate them; the Australian and his brethren; who ply otherwise competent nurses with offers they can’t refuse.
And though I am certainly guilty of courting fame. The punishment far outweighs the crime.
SLOW DISSOLVE TO:
INT. SUNSET GOWER STUDIO
DAY
1990
Peter and I had been together for a year and our on-screen passion continued to boost the show’s ratings. Off-screen, the tabloids followed our romance as closely as if we were members of the royal family.
I couldn’t keep up with my fan mail, so I hired one of the extras to send out my 8x10s. Scotty was a bookish gay man with codependency issues; perfect qualifications to be my assistant. He loved reading my mail and responding to the fans. Special letters he set aside from the pile and marked to my attention.
I came into my dressing room one morning to find that Scotty had left out a pink envelope addressed to Jackie Goldstein. But the “stein” had been crossed out.
Dear Jackie, (The handwriting was shaky.) I don’t want to disturb you, I only want to tell you that you are the best thing on the goddamn show and even though I don’t believe personally in abortion, I don’t hold yours against you. (She was referring to my character, of course.) Would you be so kind as to send me a picture from the show and sign it to Marva?
All the best,
Your Nana
I sat on the couch and reread the letter several times. It took my breath away, and honestly, I was surprised that she was still alive. It had been fifteen years since I’d seen her, and she hadn’t seemed in particularly good health then. I picked up a pen and a piece of stationery and wrote “Dear Nana,” but then I stopped. What was there to say? She’d never tried to get in touch with me before. Not in fifteen years, not even after my mother left us. Never. She hadn’t asked me anything personal about my life. She wanted a signed picture. Of my character. There was nothing special about this letter. Not one goddamn thing. I put it back in the envelope and tossed it on the pile for Scotty.