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Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

“In my country, mothers leave their children to work in America to send money home, but I never know in my life a mother like yours who leaves for nothing. Selfish! At first, I am angry and hate her for you. But now I see it differently. I see that maybe she thinks you are better not with her.” Anna stops stroking my hair, props herself up on one elbow, and looks at me with sharp eyes. “But now, you felt that I too abandoned you, yes Jackie? You think I stopped loving you? Never. Yes, I didn’t give you all my attention anymore. That was very hard for you. And you were not nice to me and that was hard too. You think I changed? My clothes, my jewelry, friends? Where I grew up, I wanted only to survive. So maybe I became like a teenager. Maybe I wanted to be like a popular girl in school. I didn’t do it perfect, that is true. But I loved you, Jackie. Not as a nanny. Not a love with a salary. No, you are my one and only child. But I am not your one and only mother.”

A nurse peeks in the door, but Anna waves her away. Then she lies back down and brings her lips to my ear. “Jackie, my daughter, my sweet love,” she whispers, “I’ve gone against your father’s wishes and called your mother. She’ll be here soon. Hang on.”

INT. HOSPITAL ROOM

DAWN

DAY 49

I am trying my hardest to die before my mother arrives.

Nurse Dani enters, slowly pushing a metal cart. Various instruments of torture rattle as she approaches. No skip in her step now with Brett on location. I know just how that feels.

They’ve moved me back to my old room with its Pier One furniture and shopping center view to live out the rest of my days. There is nothing more to be done. “The die is cast,” as they say. So many phrases about dying become relevant when one is actually at the end. For instance, seeing my mother is “A fate worse than death.” I hope I “bite the dust” before she comes.

Dani wheels around the wicker settee and yanks open the blinds, flooding the room with light. A semi-circle of sun sits humpty-dumpty atop the roof-top parking of the Beverly Center.

She plugs the needle into a syringe and prepares to do battle with my exhausted veins. Twice a day they take my blood—pointless though it seems. Nurse Dani taps sharply on the inside of my junkie-bruised arm before finally pinching up something suitable for poking.

“Gotcha,” she mutters, sticking me.