Back The Real True Hollywood Story of Jackie Gold Save as PDF
Chapters (79)
  1. EXT. BALCONY - MALIBU SHORES INN
  2. MAIN TITLES
  3. INT. HOSPITAL ROOM
  4. INT. HOSPITAL ROOM
  5. MALIBU COLONY HOME
  6. COLONY COFFEE SHOP
  7. INT. MALIBU COLONY HOME
  8. INT. BANQUET HALL
  9. INT. MALIBU COLONY HOUSE,
  10. INT. HOSPITAL ROOM
  11. INT. MALIBU COLONY HOME
  12. INT. HOSPITAL ROOM
  13. INT. MALIBU COLONY HOME
  14. INT. HOSPITAL ROOM
  15. EXT. MALIBU COLONY BEACH
  16. INT. MALIBU COLONY HOME
  17. INT. HOSPITAL ROOM
  18. INT. MALIBU COLONY HOME
  19. INT. HOSPITAL ROOM
  20. INT. HOSPITAL ROOM
  21. INT. MALIBU COLONY HOME
  22. INT. DEPARTMENT STORE, BEVERLY HILLS
  23. INT. MALIBU COLONY HOME
  24. INT. BEVERLY HILLS HOME
  25. INT. BEVERLY HILLS HOTEL
  26. INT. HOSPITAL ROOM
  27. INT. BEL AIR MANSION
  28. EXT. BEVERLY HIGH
  29. INT. BELAIR MANSION
  30. LIHUE, HAWAII AIRPORT
  31. INT. HOSPITAL ROOM
  32. INT. PEYSER AGENCY
  33. EXT. FRANKLIN APTS
  34. INT. SUNSET GOWER STUDIOS
  35. INT. HOSPITAL ROOM
  36. INT. SUNSET GOWER STUDIO
  37. INT. HUGO’S RESTAURANT
  38. INT. SUNSET GOWER STUDIO
  39. INT. WINNEBAGO
  40. INT. BEVERLY HILLS MANSION
  41. INT. HOSPITAL ROOM
  42. EXT. THE GATES OF HEAVEN
  43. EXT. PARAMOUNT STUDIOS
  44. INT. HOSPITAL ICU
  45. PARAMOUNT STUDIOS
  46. CLOSE UP: BRETT HANEY’S FACE
  47. INT. ICU
  48. INT. SPAGO RESTAURANT
  49. INT. JACKIE AND BRETT’S HOUSE
  50. INT. JACKIE AND BRETT’S KITCHEN
  51. INT ICU
  52. INT. HOSPITAL ROOM
  53. INT. JACKIE AND BRETT’S HOUSE
  54. INT. JACKIE AND BRETT’S KITCHEN
  55. INT. JACKIE AND BRETT’S HOUSE
  56. CLOSE UP: JACKIE’S HAND HOLDING A LETTER
  57. INT. MEDICAL OFFICE
  58. INT: HOSPITAL ROOM
  59. INT. SPAGO RESTAURANT
  60. UNIVERSAL STUDIOS
  61. INT. HOSPITAL ROOM
  62. EXT. DOROTHY CHANDLER PAVILION
  63. INT. HOSPITAL ROOM
  64. INT. DOROTHY CHANDLER PAVILION
  65. INT. HOSPITAL ROOM
  66. INT. BEL AIR MANSION
  67. INT. HOSPITAL ROOM
  68. INT. JACKIE AND BRETT’S HOUSE
  69. INT. HOSPITAL ROOM
  70. INT. HOSPITAL ROOM
  71. INT. MALIBU SHORES INN
  72. INT. HOSPITAL ROOM
  73. INT. MALIBU SHORES INN
  74. INT. HOSPITAL ROOM
  75. EXT. MALIBU SHORES INN
  76. INT. HOSPITAL ROOM
  77. FADE IN:
  78. ABOUT THE AUTHOR
  79. ACKNOWLEDGEMENTS

He shook himself loose. “Yeah, Jackie, I have feelings.” His lips curled, his face was red. “I’m feeling fucking angry and sick and tired of seeing you drive by my house spying on me. I am sick of your crazy phone calls.” His voice rose, “Do not come here again or I will get a restraining order and have you arrested for stalking. Do you understand? Do you?”

“Prick!” I screamed in his face and launched my fists at him.

He grabbed my arms, pushed me outside, and slammed the door.

I collapsed on the porch, hysterical, sobbing and screaming, banging my fists on his door over and over. I cried so hard I didn’t even see the man in a safari suit jump out from behind the bushes until the flashes went off in my eyes.

Two days later, the picture hit the tabloids: DUMPED ran the headline. It was on the cover of every magazine at every check stand in every supermarket in every town in America.

INT. SUNSET GOWER STUDIO

CIRCLE OF LIFE SOUNDSTAGE

DAY

AMBER: I want you so much, Storm.

STORM: I want you, Amber. It’s driving me crazy.

AMBER: I can’t go on like this.

THEY EMBRACE.

“And cut! Take five everyone, we’ll reset from the top.”

“I really can’t go on like this,” I hissed to Peter, as we retreated to the makeup trailer.

“What are you talking about?” Peter said.

“This. You and me!” I said exasperated. “I know you’re feeling this, Pete. You get a hard-on every time we kiss.”

“No, Jackie,” Peter said wearily. “Storm gets a hard-on for Amber. Peter feels nothing for Jackie. It’s called acting.”

We were back in production, and I still wasn’t over him. It was excruciating. Amber and Storm’s kisses felt as real to me as Peter’s and mine had, and every love scene rekindled my hope and desire. When the scene ended, I fled to my trailer and cried my eyes out. Peter, on the other hand, quickly untangled himself and walked off to where his latest squeeze was waiting.

Several weeks earlier, I’d left the Oakwood and moved into a historic two-bedroom on Rossmore Avenue with a fireplace, crown moldings, and the musty smell of a glamorous past. At another time, it would have been my dream apartment, but now all I could see were the earthquake cracks in the walls and the uneven floors where the foundation had settled. Still, I was trying to move on. I’d been sleeping with Greg Pallucci, a producer in his forties. The physical opposite of Peter, he was streetwise, short, and rough around the edges. Every morning, I arrived on set exhausted from a night with Pallucci, who couldn’t get enough of me and went straight into the arms of the man I loved but who couldn’t stand me.